Unpainted mask, except for red along the outer surface of the lips and the inner circle of the eyes. Forehead is rounded and down sloping. Eyes are very deep set. Heavy raised eyebrows meet at the upper nose and extend upwards across the forehead and then down to the temples, and merge with the cheekbones. Narrow, sharply curved nose, hooks under the upper lip. Lips are narrow and flare at the corners and are pursed at the centre. Chin is a square ridge at the bottom front. Horsehair extends in twenty-six bunches from the top back edge of the mask. Two piece leather head strap is tied and nailed on the inside.

A white ceramic burner (part a) that has a band of incised key patterns with four stylized dragons. Stand (part c) and lid (part b) are bronze inlaid. The wood lid (part b) is intricately carved with two tailed creatures around the central bud-shaped knob. The wood stand (part c) has a flower at the centre with a floral design on each of the three petal-shaped protrusions.

Three-dimensional male humanoid puppet: large head (part b) fits into body with skirt (part a), and a control rod (part c) with a long shaft passes through the body and fits into the neck of the figure's head. The body has jointed arms, each with a long controlling rod attached. Light red face, red upturned eyes with black pupils; red lips with white protruding upper teeth. Black moustache, ring beard, eyebrows and shark tooth decoration on forehead. Short blunt nose, large ears shaped like inverted comma. Green and gold band around head ending in a tassel of red. Carved red fez shaped headdress. Gold tassel from top of fez with end of green, red and gold hanging down over straight neck length black hair. Pronounced adam's apple. Arms articulate at shoulder and elbow. Light red hands, fingers symmetrical and outstretched. Black tailored cloth jacket, front closure, no collar, pocket on right chest. Sarong with small pink flowers and grey-blue foliage on beige background.

A length of twisted light fibre looped and secured with a slip knot. A short length of fibre is attached to the snare with a twig inserted into a loop at the end.

Curved bow which is smoothed and tapered at each end. Bound in three places with sinew: at the grip and at the ends. Bowstring of large sinew is lashed around the tips and is held in place by the bindings. The grip is slightly below the centre of the shaft.

Smooth straight cylindrical wooden light tan, and brown branch with a natural knot as a head. Proximal end slightly burned.

Wooden shaft tapering to diagonal cut at one end. Thicker end cut at right angle.

Lanceolate-shaped metal point, slightly ridged by sharpening, has a cylindrical length which fits into the wood shaft. Sinew is wrapped around one section of the shaft, at the metal, and the wood join.

Cylindrical handle carved from wood with thick metal needle embedded through the entire length, which can be seen projecting from the end opposite.

Claws strung in irregular pattern with one wooden bead, an attached leather thong, and a string broken. Object possibly incomplete.