Small spindle and whorl. The long, thin wooden shaft is pointed at both ends, thicker at centre, where it pierces a clay bead. Small sections of black paint, very worn, decorate the shaft on both sides of the bead. The bead is wide and bulbous pointed at midpoint, with a line of dripping black paint above the midpoint, and a single encircling line of red brown below.

Small spindle and whorl. The long, thin wooden shaft is pointed at both ends, thicker at centre, where it pierces a clay bead. Encircling stripes of white, brown, and red brown paint decorate the shaft on both sides of the bead. The bead is bulbous, painted black, with three groups of concentric circles carved into the clay and painted white.

Plain shaft (part a) with a large leaf-shaped barbed point (part b). The barbs are horizontal and there are four pair.

Wooden carving of Rama and Sita (from the Hindu epic the Ramayana). Sita is shown partially sitting in Rama’s lap, turning torso and head to look back at him. Both wear elaborate winged headdresses and embellished clothing with pointed shoulder decoration. The pair kneels on a base of wood carved as natural scenery, rocks, and the suggestion of mountains. The back of the sculpture is carved with less depth than the front and sides, and has fewer embellishments.

Jade carving of goddess Bodhisattva standing on a dragon. The figure is swathed in flowing robes and headdress, right hand open at heart, left extended to the front. The fingers are very delicately carved. The dragon rests in a crouch, facing forward. The tail is curled upwards. Its surface is covered in small, delicately carved scales. The goddess stands on a shell covering the dragon’s back. The jade is buffed to a high shine. The carving is attached to a low wooden stand.

Wooden ikenga figure. The figure sits on a rounded base with two small carved triangular wedges on either side of the body. The figure’s body is a rectangular shape with stylized, squared arms branching out from the base of the head in v-shapes to attach to the base. There are two small square sections of raised wood either side where the body meets the head. The head is elliptical in shape, narrow and flattened. The face of the figure extends over the front arm and has slanting eyes carved on the sides of the head, rounded lips and nose, and a sloping, high forehead. The back of the head extends outwards over the back arm and is decorated with a spiral design. The top of the head is adorned with four connected cylindrically carved shapes with incised cross-hatching on the ends, and two large curved horns. The horns are curved at the top and have a hollow interior, while the bottom horns curve outwards from the body and are narrower and solid.

Wooden ikenga figure. The figure has a conical base with a cylindrical torso. The torso/body is decorated with incised zigzag lines and raised sections of wood with grooves around the edges of the midsection. The figure’s neck is long and wrapped at the base with a thin, degraded strip of woven fabric which is knotted at the back of the neck. The figure’s head is rounded in the back but with a triangularly shaped face including a pointy, beaked nose and sharply pointed small chin and lips. The eyes are stylized slits on the edges of the face, and attached to the sides of the head are two large, curved horns. The horns are v-shaped and point backwards away from the face. There is a large crack in the figure extending from the neck to the base on the left side.

Carved, wooden ikenga figure. The figure has two conical-shaped, short legs that attach to a body consisting of two conically carved shapes without points (frustums) which taper inwards to join a central, larger cylinder. The two outer sections are incised with linear grooves, while the central section is carved with two triangular and two rectangular shapes in-filled with small, carved divots. The figure’s neck is long and rounded. The figure’s face is long with a pointed, flat-bottomed chin, small mouth, large flat nose and large, deeply carved eyes. The high forehead is slopping and angular. Extending directly upwards from the back of the head are two pointed, large horns running parallel to each other.

Wooden ikenga figure. The figure stands on a circular base, from which rises the central rectangular post that supports the head of the figure, surrounded on four sides by bent v-shaped, rectangular posts. The head is very large and flat with an angular face. The face consists of a square chin with a wide, open mouth. Above the mouth the face slopes up and back and is decorated with incised square shapes. The top of the face is adorned with two carved circular protrusions, one in the centre of the face and one on the right side of the face with a space for the missing third on the left side of the face. There is also a circular protrusion on the top of the head in the back. The two side protrusions are part of the two large, curved horns (right side is broken) that extend outwards from the top of the face. The upper sections of the horns are wide and carved to be hollow in the interiors, while the lower sections are narrower and solid. The upper sections of the horns attach to a rounded, flat piece that sits on top of the central bulge of the face.

String puppet (marioneta) of the character Triton, Greek god, messenger of the seas. Puppet is paper mache, with an orange face, large plastic green eyes, heavy brow, long drooping nose, large lips and pointed chin. Scalp is blue-green with several small fins. Neck is a ball that allows the head to rotate in all directions. Chest is human-like, while back is covered by several large fins. Hands are orange with 4 fingers each. Bottom of body is made up of clear plastic tubing and masses of white, textured plastic sheeting. Puppet is controlled by a set of large plastic covered wooden sticks, with marionette strings attached to the head, shoulders and hands.