Rectangular carved frontlet with Thunderbird or other bird-being in relief; abalone inlay along both sides and across top, and used for accents on animal features. The bird has a recurved beak going into lower lip. Below the face are red human-like arms and hands with palms out, fingers upward, with abalone on each palm. The bird's mouth is open, showing a row of abalone teeth behind wooden incisors and red painted lips. The eyes are circles of abalone, under arched black brows. This supernatural being shares space with a small orca, whose dorsal fin rises upward and pectoral fins downward. Painted red, green-blue, and black. The rear of the frontlet is concave. Illegible hand writing on back surface.

Wooden model pole featuring, from bottom to top; a bear holding an upside down frog, a beaver, a wolf, a frog and a bear holding its long tongue with hands. At very top there is a bear crouched over the top of two watchmen. The wood is stained (unpainted).

Round basket with attached lid. Basket is made of strips of black ash wood, in a variety of broad weaves. Around centre of body are two strips of twisted bark that create a wooden curl. Both above and below are strips coloured light pink. Near base is a thin braid of green-coloured bark. Two handles sit opposite each other, circles of bark attached by a curl under the rim. Lid is connected to body by black thread, which also sews strips of bark together to create lid’s rim. Green braids are woven around edge, and bark curls attach a handle to centre of lid.

Rectangular carved bird-like being frontlet bordered by a row of individually carved and painted human faces (representing ancestors). Central figure is a bird-like being by a long, recurved beak and human-like eyes, eyebrows, and mouth. Being has wings, sitting with claws inward. The eyes are circles of abalone under arched black brows. Two abalone inlays on each wing. The rear of the frontlet is concave. Painted red, green-blue and black, on natural wood.

Chief's chair, fully carved with animal motifs on most of its components. The chair has a deeply carved seat with a figure that likely represents a sculpin, characterized by a broad, toothed mouth, a horn-like spine on either side of the head, a series of spines along each fin, and the body with tail fin. Its mouth is centred on the bowed front edge of the seat, the facial features are carved on the seat’s upper front surface, and the fins and body (portrayed as a face) are arranged over the remaining seat in a split, bilateral fashion. It is painted in black and red, with some blue-pigmented areas and diagonal parallel hatching; other areas are left unpainted. The carved upper panel on the chair’s back depicts a face with black eyebrows and broad, toothed mouth. Connecting the panel to the seat is a vertical splat carved in the form of a fish and enclosing a human figure. The chair’s curved arms represent wolves, their heads facing downward and limbs folded. Also distinctive are the front two chair legs, which are carved in the form of downward-facing, supernatural raven heads; these feature blue-pigmented eye sockets and teeth, black beaks and eyes, and red lip-line and nostrils. The rear legs and stiles are painted but not carved. The four carved stretchers between the legs are made to represent different creatures: a killer whale with dorsal and pectoral fins folded back along its body and tail flukes folded up; a bear-like figure holding a long fish with ridged body; a wolf-like figure with extremely long “fingers”; and a figure with a beaver-like head, characterized by prominent incisors.

Small bentwood box, slightly angled on the square base with sloping top (a). A carved man stands inside the box, holding a broken paddle (b). The box is surrounded by five octopus arms. Artist's inscription on base.

Carved seal bowl. Oval shaped opening, seal head projects from one end, rear flippers from other end. Raised line carved around inside of the bowl’s cavity. Carved in low relief on the outside are stylized representations of flippers and joints. A solid carved line defines the seal’s eyelids. Varnish or stain over outer and inner surface, except on base.

Model canoe paddle, approximately 2/3 size of a regular paddle. Features a painted composition on each side of the blade. On one side is a killer whale, painted primarily in red with black detailing; on the opposite side is an otter, painted primarily in black with red detailing. The compositions are abstracted to fit the elongated shape of the paddle blade. Ovoid elements. Handle is unpainted.

Rectangular wooden quillwork box with lid (part b). Box is made of birch bark and covered with quillwork forming chevron patterns. The two short sides of the box have a curved lip. The lid also has a dense pattern of quillwork over it.

Carved bentwood dish with soft rounded corners; undulating rim. All four sides are covered in carved designs of a seahawk. Inscription on base: "Cranmer 75."