Wooden ikenga figure. The figure stands on a circular base, from which rises the central rectangular post that supports the head of the figure, surrounded on four sides by bent v-shaped, rectangular posts. The head is very large and flat with an angular face. The face consists of a square chin with a wide, open mouth. Above the mouth the face slopes up and back and is decorated with incised square shapes. The top of the face is adorned with two carved circular protrusions, one in the centre of the face and one on the right side of the face with a space for the missing third on the left side of the face. There is also a circular protrusion on the top of the head in the back. The two side protrusions are part of the two large, curved horns (right side is broken) that extend outwards from the top of the face. The upper sections of the horns are wide and carved to be hollow in the interiors, while the lower sections are narrower and solid. The upper sections of the horns attach to a rounded, flat piece that sits on top of the central bulge of the face.

String puppet (marioneta) of the character Triton, Greek god, messenger of the seas. Puppet is paper mache, with an orange face, large plastic green eyes, heavy brow, long drooping nose, large lips and pointed chin. Scalp is blue-green with several small fins. Neck is a ball that allows the head to rotate in all directions. Chest is human-like, while back is covered by several large fins. Hands are orange with 4 fingers each. Bottom of body is made up of clear plastic tubing and masses of white, textured plastic sheeting. Puppet is controlled by a set of large plastic covered wooden sticks, with marionette strings attached to the head, shoulders and hands.

String puppet (marioneta) of the character Neptune with carved wood face, a pointed beard tipped with a painted shell, pink lips, a long nose, black plastic eyes, sharply defined brow, short forehead and prominent ears. Small shells cover the scalp. A thin wooden stick protrudes from the back of the head and is the only method of controlling the puppet. Puppet’s torso is paper mache. Arms and hands are wood. Torso and arms are covered by decoupage in patterns coloured blue and red, while hands are painted light blue. The creature’s bottom is made entirely of thin, white, flowing plastic sheeting. A long blue cape attaches at the shoulder and hip by a beaded cross-chest belt and falls the length of the plastic bottom. Puppet’s hands and face are delicately carved and detailed. The trident (part b) is aluminum, with a long staff and three pronged head. The whole is wrapped with brass wire, with clear beads threaded on intermittently. Each prong is topped by a gold triangle.

Arrow has long wooden shaft, tapering slightly and reddening toward nock. Fletching has come loose and is attached to shaft with string. At bottom, the point is sunk into the wood and secured with wrapped sinew. The point is copper, cylindrical in shape, with incised circles and diagonal lines along its length. The tip has 4 outward barbs surrounding the central point.

Arrow has long wooden shaft, tapering slightly and reddening toward nock. Fletching is attached to shaft with wrapped sinew at feather tops and bottoms. At the tip, the point is cast in copper, with a long, thin base culminating in a wide point with serrations below the barbs on the neck. It is sunk into the wood and secured with wrapped sinew.

Arrow with a long wooden shaft, tapering slightly and reddening toward nock. Fletching is attached to shaft with wrapped sinew at feather tops and bottoms. At the tip, the point is cast in copper, with a long, thin base culminating in a wide point with three large serrations on each side of the neck. It is sunk into the wood and secured with wrapped sinew.

Arrow with a long wooden shaft, tapering slightly and reddening toward the nock. Fletching is attached to shaft with a wrapped thread at feather tops and sinew at bottoms. At the tip, the point head (part b) is cast in copper with several serrations along the barbs, and a long, thin bone base sunk into the shaft and secured with wrapped sinew and string.

Arrow has long wooden shaft, tapering slightly and reddening toward nock. Fletching is attached to shaft with a thick thread at top, and sinew at bottom. At tip, the point is sunk into the wood and secured with wrapped sinew. The point is cast in copper, cylindrical in shape, with incised circles and diagonal lines along its length. The tip has 4 outward barbs surrounding the central point.

Arrow with long wooden shaft (part a), tapering slightly and reddening toward nock. Fletching is attached to shaft with wrapped thread at feather tops and sinew at bottoms. At opposite end, a long, thin bone shaft (part b) is sunk into the wood and secured with wrapped sinew. The point head sits in a notch in the bone, and is cast in copper with serrations along the barb bottoms.

Arrow with a long wooden shaft (part a), tapering slightly and reddening toward nock. Fletching is attached to shaft with wrapped thread and sinew at feather tops and sinew at bottoms. At the opposite end a long, thin bone shaft (part b) with notching along its length is sunk into the wood and secured with wrapped sinew. The point head is cast in copper with serrations along the barb bottoms and is nailed to the bone.