This stone tool has an indentation in one end and a point at the other.

Long, stone turtle with head and front flippers showing outside carapace. Has hole in one end for use probably as an amulet.

A rounded corner, rectangular shaped pendant. Two holes have been drilled on each end.

Kenojuak Ashevak's drawings, prints and sculpture express her understanding of the world through unique imagery. Her early work is filled with images of camp life, people, animals, and for what Kenojuak is renowned: fantastical birds that reveal her ability to capture the essence of her subjects in simple forms. Kenojuak is among the first Kinngait women to have her drawings included in the Cape Dorset Print Collection. This captivating image of an arctic bird quickly became a Canadian icon, and in 1970 the print was chosen for their commemorative stamp. This is seemingly her most popular print, exemplifying her graphic style of simplifying her subject to maximize its unique form in a strong composition and use of vivid color. Kenojuak was first encouraged to draw by James Houston, the Federal Government administrator for the Baffin Island area. Houston is credited with raising public awareness of Inuit art and encouraging the Inuit to control their own production of prints. Kenojuak's owl drawing was among the first prints produced by the West Baffin Eskimo Co-operative in 1960. Over the years Kenojuak Ashevak has received many honors, among these the Order of Canada and a Lifetime Aboriginal Achievement Award. She lives in Kinngait (Cape Dorset) and continues creating her drawings and prints, fantastic explorations of form, design and color.

Seven stone whorls (strung on a cord). Five have globular bodies, one is tubular and one has a double-cone shape. Six are made of grey-black stone and one of light brown. Well preserved.

Seven spindle whorls (strung on a cord). Five are made of clay and have a rounded base and circle incisions with dots on the inverted conical body; four have rims in relief. Two whorls are made of grey-black stone and have globular bodies with in relief rims; one has three incised circles with dots inside. Well preserved.

Plastic string of 38 miscellaneous stone and shell beads; 31 are turquoise, one soda-lite, two grey-green shell beads, one is yellow and three were made of stone (currently strung on cord).

Water puppet (mua roi nuoc) of a dragon character. Puppet (part a) has a large head carved with small scales and painted green, a wide nose in gold, small side-set eyes with orange and white accents, and a wide mouth, open and showing two fangs at the outer corners. Two large fans sit to the back of the head. The body is made of six wood cylinders, each carved with scales and topped with fins. The cylinders are attached together with a bike chain hammered into the bottom of each, as well as thin plastic tubing, allowing the body to flex and move. A short wooden rod (part b) is used as a puppet handling stick and can be inserted into the puppet's neck in order to move the head.

Water puppet (mua roi nuoc) of Ky Lan unicorn (or lion) character. Puppet is carved from wood with a large head painted gold, a wide nose, and a fierce moveable mouth barring white teeth. Eyes protrude from a scowling brow in front of a curling mane. Eyebrows are fan shaped and multicoloured, attached to the face by fishing line. The midsection is made of plastic tubing to enable movement, and covered by red cotton fabric. The rump of the animal is wood, with moveable yellow legs to each side and a raised tail of green and red curls at centre back. Tin is attached to the interior edges of the head and rump where they meet the red cotton midsection.