Kero cup with two registers of figural scenes separated by relief bands of flowers and geometric motifs. In the top register, two Incas battle three face-painted Antis or Chunchos. They wear spotted jaguar skin tunics and headdresses with two feathers in each. One of them has already fallen and lies under a tree, while the other two hold bows and arrows. A third Inca, wearing a checkerboard tunic, leads a fourth Anti, who wears a more elaborate feather headdress than the others and is presumably their leader, toward a castle and a seated Inca, possibly the Emperor himself. A hunchbacked figure holds a parasol over him. Above and to the right, a bird holds a sling and a bag in its beak. The lower register is an agricultural scene, possibly a ceremony, with two men guiding plows that are drawn by teams of two oxen. Each man is followed by a woman: one planting seeds and the other holding a pair of kero cups. During the Colonial era, Inca themes were generally portrayed on kero cups.

Objects of Inca tradition such as plates, trays, and kero cups were treasured by the Peruvian Indian nobility. Kero cups were displayed in indigenous elite homes along with European-style objects and silver as visible reminders of their owners’ noble ancestry. This pair is decorated with an Inca male and female standing under a rainbow, a symbol that connoted Inca royal authority. Keros were made and used in pairs for the consumption of chicha, or maize beer, in ritual ceremonies (see illustration) that continued through the colonial period. The use of pairs reflected the important Andean concepts of duality and reciprocity.


Los objetos de tradición incaica como platos, bandejas y copas o vasos kero eran atesorados por la nobleza indígena peruana. Los keros se exhibían en casas indígenas de la élite junto a objetos de estilo europeo y platería como recordatorios visibles del linaje noble de sus propietarios. Este par está decorado con un hombre y mujer incas de pie bajo un arcoíris, símbolo que connotaba la autoridad real inca. Los keros eran fabricados y usados en pares para consumir chicha (cerveza de maíz) en ceremonias rituales (ver ilustración), costumbre que continuó durante el periodo colonial. El empleo de pares reflejaba el importante concepto andino de dualidad y reciprocidad.

Objects of Inca tradition such as plates, trays, and kero cups were treasured by the Peruvian Indian nobility. Kero cups were displayed in indigenous elite homes along with European-style objects and silver as visible reminders of their owners’ noble ancestry. This pair is decorated with an Inca male and female standing under a rainbow, a symbol that connoted Inca royal authority. Keros were made and used in pairs for the consumption of chicha, or maize beer, in ritual ceremonies (see illustration) that continued through the colonial period. The use of pairs reflected the important Andean concepts of duality and reciprocity.


Los objetos de tradición incaica como platos, bandejas y copas o vasos kero eran atesorados por la nobleza indígena peruana. Los keros se exhibían en casas indígenas de la élite junto a objetos de estilo europeo y platería como recordatorios visibles del linaje noble de sus propietarios. Este par está decorado con un hombre y mujer incas de pie bajo un arcoíris, símbolo que connotaba la autoridad real inca. Los keros eran fabricados y usados en pares para consumir chicha (cerveza de maíz) en ceremonias rituales (ver ilustración), costumbre que continuó durante el periodo colonial. El empleo de pares reflejaba el importante concepto andino de dualidad y reciprocidad.