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Headdress06.331.8027d

This headdress would have been worn by a man on the back of the head. The long wooden pin would secure it to a hairnet. It is part of a dance outfit see 06.331.8027,a,b,c,e.

Culture
Pomo
Material
flicker feather, cotton string, plant fiber, wool and wood pin
Holding Institution
Brooklyn Museum
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Pair of Dark Blue Leggings05.64a-b

Brooklyn Museum Collection

Culture
Chippewa
Material
wool, silk and cotton
Holding Institution
Brooklyn Museum
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Large BagX96

Brooklyn Museum Collection

Culture
Chippewa
Material
twined weave cotton and wool
Holding Institution
Brooklyn Museum
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Blanket50.67.47

Henry L. Batterman Fund and the Frank Sherman Benson Fund

Culture
Navajo
Material
wool and dye
Holding Institution
Brooklyn Museum
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Twined Medicine Bag with Thunderbird Design46.100.32

By exchange

Culture
Hochunk
Material
bison wool, nettle fibre and yarn
Holding Institution
Brooklyn Museum
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Bag46.100.31

By exchange

Culture
Hochunk
Material
wool and cotton
Holding Institution
Brooklyn Museum
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Strip of Woven Beadwork43.201.60

Woven, beaded strip with wool yarn tassels on the ends. Possibly for a bandolier bag.

Culture
Hochunk
Material
bead and wool
Holding Institution
Brooklyn Museum
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Chief's Blanket50.67.45

The Navajo wove waterproof, striped wool blankets that became known as Chief Blankets and traded them to other tribes. In 1863 the U.S. Army forcibly removed the Navajo from Arizona to Bosque Redondo detention camp in New Mexico and killed the tribe’s churro sheep. Ingenious weavers combined commercial wool with unraveled army blankets to create new designs with colorful details, as seen here. During captivity, weavings became the primary source of income.

In 1868 the Navajo returned to their homelands, and weaving flourished with the advent of the railroad and the establishment of trading posts.

Culture
Navajo
Material
wool and dye
Holding Institution
Brooklyn Museum
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Blanket43.201.190

Design is fret designs in indigo, red, black and white. Good condition. In 1880-1881 the Santa Fe Railroad was extended through Navajo territory, bringing new materials and new customers for Navajo weavings. As soon as commercial four-ply yarns and aniline (chemical) dyes became available, Navajo weavers employed them to their full potential. Designs changed from simple stripes and conservative diamond patterns to an explosion of innovation in weaving, with new colors not available with natural dyes such as yellow, orange, green, and purple.

Culture
Navajo
Material
wool and dye
Holding Institution
Brooklyn Museum
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Blanket50.67.51

Henry L. Batterman Fund and the Frank Sherman Benson Fund

Culture
Native American
Material
wool
Holding Institution
Brooklyn Museum
View Item Record