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Woman's Dress or Manta08.491.8955

This extremely fine dress was collected from a Zuni girl in Ojo Caliente in the summer of 1895. The diamond twill borders and designs woven in red are characteristic of Navajo mantas that were worn as dresses and shawls by Pueblo women (mainly at Acoma and Zuni between about 1850-1880).

Material
hand-spun wool
Holding Institution
Brooklyn Museum
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Woven Bag with calico trim11.694.9041

Museum Expedition 1911, Museum Collection Fund

Culture
Kaw and Potawatomi
Material
wool cloth, cotton and yarn
Holding Institution
Brooklyn Museum
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Octopus Bag08.491.8896

Made entirely from trade materials, these distinctive cloth pouches were accessories for ceremonial clothing. They were called octopus bags because of their tentacle-like fringes. Some of the Tlingit designs may have been influenced by proximity to the Athabascan groups to the east. The reverse of the bag is plain.The pouch has four double fringe "arms" and a black wool strap.

Culture
Tlingit and Gwa'sala Kwakwaka'wakw
Material
wool, cotton and glass bead
Holding Institution
Brooklyn Museum
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Woven Friendship Bag04.297.6955

Museum Expedition 1904, Museum Collection Fund

Culture
Hochunk and Menominee
Material
wool
Holding Institution
Brooklyn Museum
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Beaded Cradleboard32.2099.32581

This cradleboard shows a mixture of Plains and Plateau style attributes.

Culture
Blackfoot and Flathead
Material
bead, cotton, wool, silk, felt and metal
Holding Institution
Brooklyn Museum
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Breechcloth46.100.38

By exchange

Culture
Hochunk and Miami
Material
wool, silk ribbon, bead and cotton
Holding Institution
Brooklyn Museum
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Spear Case26.792

The object is a spear case that is part of material purcased as belonging to Red Cloud. It has a long tubular hide section at the top and an attached triangular-shaped hide pouch at the bottom. The tubular portion contains cut out geometric patterns and is edged with red and blue woolen cloth that is attached with hide binding. It has two loosely attached beaded hide rectangles trimmed with red woolen cloth and fringed at one end. The front of the pouch portion has blue, white, red and yellow beadwork forming vertical triangular designs in different sizes. It is edged with long hide fringe strips. This type of Crow case was often carried across the saddle of women to honor their husbands as seen in historical photographs. They are still made today for the same purpose and are an important part of Crow regalia.

Culture
Crow, Oglala, Lakota and Sioux
Material
hide, bead, wool and cloth
Holding Institution
Brooklyn Museum
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Pair of Leggings1997.105.4a-b

Gift of Sasha Nyary and Family

Culture
Plains and Blackfoot
Material
hide, wool, cotton and bead
Holding Institution
Brooklyn Museum
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HeaddressX1053

Immature golden eagle feather headdress with a beaded headband. Base of feathers wrapped in red felt and made over a felt hat base. Streamers of weasel fur and cloth dangle from headband sides. These types of war bonnets were historically worn for special occasions and may occasionally be worn on the battle field (although men often wore one or two special feathers instead). A man earned the right to make one through his brave deeds. Initially he would be awarded a single feather for each deed; a coup, killing, or horse stealing success. Once he accumulated ten feathers he was generally given permission to obtain the eagle feathers for a full bonnet. Ideally they would have 28 eagle feathers and each may have additional notching to designate an event. The tips of the feathers could be tied with the horsehair if a man had counted many coups. Thus the bonnets became oral histories and each piece signified events in the warrior's life. Feathers were very valuable, i.e., 12 feathers equaled 1 horse. These were worn by warriors, not necessarily "chiefs". Only a few very high ranked warriors would have the bonnets with the long trailers down the back. Today bonnets are still made as recognition for achievements in life, dedication to their community as well as war participation. Golden eagles are a protected bird and Non-natives may not use them, buy them or transport them without special permits.

Culture
Osage and Ponca
Material
wool, felt, cloth, golden eagle feather, horse hair, glass bead, hide, weasel fur, silk and sinew
Holding Institution
Brooklyn Museum
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Lady's Fringed and Beaded High Pommeled Saddle32.2099.32563

Bequest of W.S. Morton Mead

Culture
Blackfoot and Crow
Material
hide, wood, wool and bead
Holding Institution
Brooklyn Museum
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