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Large, heavy shawl with needle work paisley pattern. The craftsmanship of the red, blue, green, black, yellow and ivory design is less fine in the wide border. In the centre is a circular area of plain black fabric onto which is emboridered the numbers 22 CO 37 in ivory coloured thread. Other numbers (23222 and 949) are embroidered near two different corners.
Beaded neck ring. Strings of beads are coiled around a thick cord of rope ? in a pattern of solid areas of blue and black divided with rings of yellow, white and orange. Brown wool ties, thread through a green bead, are knotted together and tied off with two green beads each at the ends.
TANGIBLE VISIONS. WARDWELL, ALLEN, 1996 FROM THE LAND OF THE TOTEM POLES. JONAITIS, ALDONA, 1988
PRIMITIVE ART. BOAS, FRANZ, 1951, Publisher: CAPITAL PUBLISHING COMPANY THE CHILKAT BLANKET. EMMONS, GEORGE T. MEMOIRS, 3, 1907 THE DECORATIVE ART OF THE INDIANS OF THE NORTH PACIFIC COAST. BOAS, FRANZ BULLETIN, 9, 1897
THE CHILKAT BLANKET. EMMONS, GEORGE T. MEMOIRS, 3, 1907
THE CHILKAT DANCING BLANKET. SAMUEL, CHERYL, 1982, Publisher: PACIFIC SEARCH PRESS. SEATTLE. PRIMITIVE ART. BOAS, FRANZ, 1951, Publisher: CAPITAL PUBLISHING COMPANY THE CHILKAT BLANKET. EMMONS, GEORGE T. MEMOIRS, 3, 1907 THE DECORATIVE ART OF THE INDIANS OF THE NORTH PACIFIC COAST. BOAS, FRANZ BULLETIN, 9, 1897