Bag-like basket with triangular flap top lid. Weave is of wide strips of bark; some visible squares of weave have coloured fabric squares sewn to them; two strips of felt - one red, one blue - are included in the weave that runs parallel to the diagonal edges of the top of the bag and the flap; a knotted rope is attached to the centre of the tip of the flap and wraps around a flat stick with rounded ends as a closure method.

Pair of man’s funeral shoes made of fine white leather. The sides are low, but there is an upward extension at the heel, which has a centre seam covered with five vertical cotton strings. Section covering toes is very short; the main body of each shoe is open. There is narrow piping finishing the vertical seam at the front of the toe section, and wider piping around the upper edge of the shoes. The soles are made of layers of natural brown leather slightly thicker at the toe and heel ends, and have numerous iron cleats at the front and heel. The soles are attached to the body of the shoes with a row of stitching around the edge of the soles, and there is a row of heavy, even stitches around the edge of the white leather. The shoes are lined with white leather, and have insoles of woven grey wool fabric.

Men’s off-white jacket. The jacket has a narrow collar stiffened with paper, a v-neck and an overlapping centre opening with long wide ties. The sleeves are long and wide with a rounded lower edge. The outside is made of silk; the inside is made of fine white cotton and padded.

Aymara-style carrying cloth or shawl composed of two rectangular pieces of woven cloth. Dark brown wool with very subtle bands of varying saturation. Four very thin red stripes run parallel with the pattern. Two of the red stripes are near the edges of the cloth and two are near the centre of the cloth. There is a seam down the centre, and it is sewn with black yarn.

Standing Kachina figure with stick across top of head, down from which extends wool and hair, white head with three black dots on face, alternating black and white ring around neck. Figure has torso with yellow on top and orange on bottom, white skirt with painted belt and apron, yellow legs with painted black ties around top, and grey boots with an orange, black and white design.

Light brown man’s jacket. The centre opening has front panels that overlap to the right when tied closed with two long thick ties. The outer facings of the v-neck are rounded at the lower edge. The neck is finished with a white collar or facing with crumpled paper inside. The long wide sleeves curve upwards at the wrists. The light brown ties are sewn at the ends of the outer facing and cut with pinking shears creating a zigzag edge. A thinner brown tie is attached to the right inner facing with a corresponding tie on the left underarm seam. There is a centre back seam. The inside lining is unbleached cotton.

Open-top hood made of dark red silk damask with added ear-flaps of blue silk damask edged and lined with white rabbit fur and filled with grey cotton batting. The red damask is patterned with three roundels, each with two dragons surrounding a Chinese character. The blue damask is patterned with bat ? shapes and a Buddhist swastika. The hood is constructed of two halves sewn together at the centre of the forehead and centre back, but with an opening at the top edged with black piping ending with a short slit at the back. The hood is cut straight across the forehead with two deep scallops edged with black piping on each side. It is edged entirely with two layers of skin with black fur, one facing inside and the other facing outside. A flat red silk cord woven with green and gold geometric designs crosses the opening from front to back, ending at the back in an elaborate knot made of pink and dark blue cord, below which are five red tassels wrapped in gold thread. At the front there an elaborate double knot of gold, pink, and yellow cord, below which are seven red tassels wrapped in gold thread. The hood is lined with bright green felt, and has fragments of paper attached to it with long white running stitches.

Purple coat with dark blue floral pattern. The coat has a front opening that overlaps to the left with ties. The coat has a v-neck with outer and inner facings of the same materials with rounded corners at the lower edges. There is a narrower outer facing or collar of white silk squared at the lower ends and sewn in place with invisible stitching. Two wide ribbon ties are attached at the mid-points of the wider facings and there are shorter, narrower ribbon ties on the inside. The sleeves are inset with straight seams and have slight convex curves at their lower edges. The coat has a pair of flared gussets under each arm and a centre back seam. There is a slightly flared panel descending from the mid-point of each outer facing so that the coat overlaps at the front when closed. There are small slits in the side seams at waist level. The inside lining is dark blue rayon.

Stiff hat with round brim and straight-sided crown narrowing to a flat top. Hat is solid blue nylon fabric inside and red wool slightly ribbed fabric outside. It has bands of rainbow striped fabric around the edge or brim, base of crown, top of crown, and up each side. The bands are outlined with woven undulating gold ribbon. Metallic sequins in floral and leaf shapes in green, silver, and gold are adhered to the surface. Long string attached underneath on both sides, on which are strung red, green, and white plastic beads. Small red cardboard cylinder on one side of base of crown.

Long, thin, woman's hair band, woven in red wool with black selvage edges.