A dance sling (wichi wichi) consisting of a main braid and two secondary braids with tassels; all are solid braids. The pattern of black and white diagonal lines on the main cord occasionally reverses direction. A solid braid with a four-colour pattern is added to one end. The secondary braids have different patterns, one of which is called “amapolas”, which is the name of a poppy that grows on the banks of rivers (white, grey and brown).

A fragmentary dance sling (wichi wichi) that has a solid braid and a flat, finger-woven band as handles on either side of the vestigial cradle. The cradle is too small to be functional for hurling stones. Several different patterns alternate on the solid braid, one of which may be a bi-colour variant of “amapolas”, the name of a poppy that grows on the banks of rivers. The sling has large tassels grouped at the end of the solid braid and small tassels on the cradle and finger-woven band.

A dance sling (wichi wichi) that has a solid braid and a flat braid as handles on either side of the vestigial cradle. The cradle is too small to be functional for hurling stones. The pattern of diamonds on the solid braid is called “amapolas”, which is also the name for a poppy that grows on the banks of rivers. The sling has large tassels grouped at the end of the solid braid and a small tassel at the end of the flat braid.

Woman’s shawl (lliklla) composed of two panels of 4-selvedge cloth that are sewn together on a long edge; tubular woven edging. Shawl is plain brown with multiple patterned bands along the central edge and seam; other side of brown field, along edge of garment, has a series of colourful stripes. Patterned bands depict a human on a horse, zigzags, and floral motifs; hooks against a background of squares are also present.

Belt (chumpi) that repeats the design called “loraypu” in the centre band, flanked by “hakaku sisan” in the lateral bands. The ends are finished in braids that are fastened together.

Small coca leaf bag (chuspa) with tubular woven edgings (ribetes) on seams and bag mouth, a woven strap handle and a replied fringe. Geometric patterns cover both faces. The bag strap is coarser than the bag, and may be a replacement for an older strap.

Small coca leaf bag (chuspa) with braided commercial tape sewn to seams and edges. Three panels of diamond designs are on each face. Some decorative stitching is added near each corner.

A complete sling (wichi wichi). It has a small vestigial cradle that is finger-woven. Many colours of yarn tassels outline the cradle. The larger handle has diamond patterns in four alternating colours along its length. The final section has a series of tassels and there is a finger loop hidden between the second and third tassels. A large red tassel is near the end and has 4 simpler braids, each with a final tassel. There is a secondary braid that branches off, just above the large red tassel, and it has five colourful tassels. The second handle that comes off the cradle is thinner. It is wrapped with natural colours of camelid yarns, but has no pattern beyond horizontal colour changes.

An unfinished sling. The solid braid is composed of 16 dark strands of dark (8) and light (8) handspun camelid yarn. The threads are paired and cross the crown to the opposite quadrant in a directional order that produces diamonds, a pattern that is called “llama nawi” (llama eyes) in some communities. The cradle is not started on this sample.

A complete sling (waraqa). The central cradle is finger-woven and the two handles on either side are solid braids. Both handles have a finger loop braided in near the ends.