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Pad Saddle91.95.21

By the mid-eighteenth century horses had spread throughout the Plains region. As Plains Indian peoples became expert horsemen, they began to create a variety of trappings for their horses. Derived from Spanish pack saddles, pad saddles were commonly made by peoples of the northern and northeastern Plains such as the Plains Cree. Pad saddles are usually rectangular or oval tanned leather tubes stuffed with grass or moose hair. A band of tanned leather sewn across the middle provides an attachment for the stirrups. Floral beaded decoration covers the corners, from which hang beaded panels that are often further embellished with yarn tassels.

Culture
Cree
Material
leather, glass bead and wool yarn
Made in
“Plains” ?
Holding Institution
Portland Art Museum
View Item Record
Blanket90.33.7

The Elizabeth Cole Butler Collection.

Culture
Crow
Material
wool cloth, leather, glass bead, porcupine quill, horse hair, silk and ermine skin
Made in
“Plains” ?
Holding Institution
Portland Art Museum
View Item Record
Quirt89.52.43

The Elizabeth Cole Butler Collection.

Culture
Interior Salish and Nez Perce
Material
wood, metal tack, wool trade cloth, glass bead, shell and leather
Made in
“Plateau” ?
Holding Institution
Portland Art Museum
View Item Record
Boy's Shirt89.52.35

Most children's clothing among Plateau peoples such as the Umatilla was simply a smaller version of adult garments. A great deal of time and energy was spent providing children with articles of clothing and accessories so that they could look their best on special occasions. This remarkable wool shirt decorated with beaded strips and adorned with metal beads and ermine strips reveals one family's devotion to their child.

Culture
Umatilla
Material
wool cloth, silk ribbon, leather, glass bead, metal bead and ermine strip
Made in
“Plateau” ?
Holding Institution
Portland Art Museum
View Item Record
Lorette-Huron Female Doll88.43.6

The Elizabeth Cole Butler Collection. Collected: Elizabeth Cole Butler

Culture
Wyandot and Huron
Material
wood, wool cloth, cotton cloth, glass bead, metal, leather and hair
Made in
“Québec: Lorette” ?
Holding Institution
Portland Art Museum
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Dress87.88.115

The Elizabeth Cole Butler Collection.

Culture
Blackfeet
Material
leather, glass bead and wool cloth
Made in
“Plains” ?
Holding Institution
Portland Art Museum
View Item Record
Horse Collar87.88.104

Traditional Nez Perce culture places a great value on horses, and both horses and riders wear their finest trappings during parades held at annual encampments and celebrations. This beaded collar is meant to hang from a horse's neck. The beadwork is sewn onto the red wool cloth with an overlay stitch that alternates between horizontal and vertical orientation in the various design areas. The geometric design emphasizes elongated triangles and diamonds in colors of predominantly the same value. The subtle color shift in the blue background is unusual and provides an added feeling of dimension.

Culture
Interior Salish and Nez Perce
Material
wool cloth, cotton cloth, leather, glass bead and brass bell
Made in
“Plateau” ?
Holding Institution
Portland Art Museum
View Item Record
Elk Tooth Dress87.88.90

The Elizabeth Cole Butler Collection.

Culture
Crow
Material
wool cloth, elk tooth, bone and glass bead
Made in
“Plains” ?
Holding Institution
Portland Art Museum
View Item Record
Dress87.88.18

The Elizabeth Cole Butler Collection.

Culture
Interior Salish and Nez Perce
Material
wool cloth, leather fringe, glass bead, metal bead, shell bead and abalone shell
Made in
“Plateau” ?
Holding Institution
Portland Art Museum
View Item Record
Shirt87.88.3B

The Elizabeth Cole Butler Collection. Collected: Elizabeth Cole Butler

Culture
“Ojibwa/Chippewa” ?
Material
cotton cloth, wool, velvet and glass bead
Made in
“Woodlands” ?
Holding Institution
Portland Art Museum
View Item Record