Wasa watana (hair tie) woven in a complementary warp weave. Tassels formed by intersecting warps that are woven as separate bands. The added bands also have intersecting warps that are woven, but the two ends do not have identical numbers of bands. Warp fringes. Alpaca and sheep’s wool fibre. Spinning is fine and hard twist.

Wasa watana (hair tie) woven in a complementary warp weave. Tassels formed by adding a single intersecting warp band to each end. Small white and silver beads, threaded on the weft before weaving, line the edges of the main band and the intersecting warp bands. Warp fringes. Woven of commercially spun yarn, probably synthetic or a blend.

Wasa watana (hair tie) woven in a complementary warp weave. Tassels formed by intersecting warps that are woven as separate bands. Warp fringes. Alpaca and sheep’s wool, very finely spun. Each end has 4 intersecting warp bands.

Wasa watana (hair tie) woven in a complementary warp weave. Tassels formed by intersecting warps that are woven as separate bands. Warp fringes. Alpaca fibre, finely spun. Notable for the length of bands and fringe and the large number of intersecting warp bands.

A section of a golon (skirt band) that has been made into a belt by the addition of woven ties. The band has a pattern of diamonds and X’s against a red ground, woven in twill tapestry. The ties are woven in a complementary warp weave in wool yarns.

A narrow, incomplete golon (skirt band) with a dark background (navy and green); has several types of diamond patterns and zigzags repeated along its length. Two fragments are sewn together near one end; wool warps and mostly wool wefts.

Woman’s shoulder shawl (lliklla) composed of two fabric widths that are cut from a single, 4-selvedge cloth. It has maroon fields flanked by a rainbow progression of stripes along the sides and the central seam. The central seam is stitched with an arrowhead pattern in figure-8 stitch in a rainbow series of colours. The orange ribete that edges the lliklla has a diamond pattern.

Longish, narrow moneybag (monedera, Spanish; pachaq chaki, Quechua) pouch that is unfinished (lacks side seams and fringes).

Coca leaf bag (chuspa) with woven strap, tubular woven edgings (ribetes) on seams and edges, and a tasseled fringe on the bottom of the bag. Both faces have diamond-based designs with jagged outlines and interior motifs of potato flowers (papa tika) on one face.

Coca leaf bag (chuspa) with a single pocket woven into one face, a woven carrying strap, woven tubular edgings (ribetes) covering seams and edges, and a sewn-on edging of wrapped threads along the lower edge. Three pairs of pompoms made of wrapped threads also adorn the lower edge. Horses with flags and llamas repeat on the front face.