Coca leaf bag (chuspa) with a single pocket woven into one face, a tubular woven carrying strap, woven ribetes covering seams and edges, and a sewn-on edging of wrapped threads along the lower edge. Three pairs of pompoms made of wrapped threads also adorn the lower edge. Horses with flags, llamas, and birds repeat on the front face.

Wasa watana (hair tie) woven in a complementary warp weave. Tassels formed by groups of intersecting warps that are woven as separate bands but are then folded and sewn to the main band near the ends. Tassels sewn onto the main band. Edging of small white beads on the edges of the main band and the tassels; the beads were threaded on the weft before weaving. Warp fringes. Alpaca fibre, finely spun, with wool.

A dance sling (wichi wichi) consisting of a main braid with tassels at one end and five secondary braids with tassels that are attached to the main braid; all are solid braids. The pattern of diamonds on the solid braid is called “amapolas”, which is the name for a poppy that grows on the banks of rivers. The larger braid terminates at a small vestigial cradle, and a small solid braid with chevrons extends from the other side of the cradle.

A dance sling (wichi wichi) consisting of a main braid and two secondary braids with tassels; all are solid braids. The pattern of black and white diagonal lines on the main cord occasionally reverses direction. A solid braid with a four-colour pattern is added to one end. The secondary braids have different patterns, one of which is called “amapolas”, which is the name of a poppy that grows on the banks of rivers (white, grey and brown).

A fragmentary dance sling (wichi wichi) that has a solid braid and a flat, finger-woven band as handles on either side of the vestigial cradle. The cradle is too small to be functional for hurling stones. Several different patterns alternate on the solid braid, one of which may be a bi-colour variant of “amapolas”, the name of a poppy that grows on the banks of rivers. The sling has large tassels grouped at the end of the solid braid and small tassels on the cradle and finger-woven band.

A dance sling (wichi wichi) that has a solid braid and a flat braid as handles on either side of the vestigial cradle. The cradle is too small to be functional for hurling stones. The pattern of diamonds on the solid braid is called “amapolas”, which is also the name for a poppy that grows on the banks of rivers. The sling has large tassels grouped at the end of the solid braid and a small tassel at the end of the flat braid.

Woman’s shawl (lliklla) composed of two panels of 4-selvedge cloth that are sewn together on a long edge; tubular woven edging. Shawl is plain brown with multiple patterned bands along the central edge and seam; other side of brown field, along edge of garment, has a series of colourful stripes. Patterned bands depict a human on a horse, zigzags, and floral motifs; hooks against a background of squares are also present.

Belt (chumpi) that repeats the design called “loraypu” in the centre band, flanked by “hakaku sisan” in the lateral bands. The ends are finished in braids that are fastened together.

Small coca leaf bag (chuspa) with tubular woven edgings (ribetes) on seams and bag mouth, a woven strap handle and a replied fringe. Geometric patterns cover both faces. The bag strap is coarser than the bag, and may be a replacement for an older strap.

Small coca leaf bag (chuspa) with braided commercial tape sewn to seams and edges. Three panels of diamond designs are on each face. Some decorative stitching is added near each corner.