Carved wooden rattle with stand (part b). Rattle has a round head, relatively flat, with strips of cedar looped around the outer edge. The front is decorated in a blue painted thunderbird motif with white accents, while the back is painted with a black thunderbird. The handle of the rattle is tightly wrapped with a braided cedar rope. The stand (part b) is cone shaped, with a hole at centre top into which the rattle's handle fits in order to hold it upright. The stand is undecorated except for black paint in and around the hole and base.

Tall glass sculpture with three cedar mount parts. A tall glass cylinder (part a), rounded at top and bottom, is the central piece in the sculpture, representing a trade bead. Its under-layer is frosted white, covered by a red frosted cut-out layer in swooping patterns and dots. It sits on a low, round cedar base (part b), carved along the edge, with a mat of woven cedar bark at centre. A hole in the middle supports a wood pole (part d) that extends throught the glass cylinder and is capped at top by small wooden lid (part c), carved similarly to the base.

Tall, double-sided, three-dimensionally carved vertical panel on stand. Killer whale and crocodile themes; one side is inspired by coastal Salish themes/imagery, the other side is inspired by Sepik River (Papua New Guinea) themes and imagery. Made of yellow cedar, walnut and rosewood, with ebony inlay.

COLLECTING LIVES. FREED, STANLEY A. NATURAL HISTORY MAGAZINE, 121, 2013, Publisher: MARCH 2013 CHIEFLY FEASTS: THE ART OF THE POTLATCH. FREED, STANLEY A., 1997, Publisher: POMEGRANATE CHIEFLY FEASTS: THE ENDURING KWAKIUTL POTLACH. JONAITIS, ALDONA EXHIBITION CATALOG, 1991 THE KWAKIUTL OF VANCOUVER ISLAND. BOAS, FRANZ MEMOIRS, 8, 1909

THE KWAKIUTL OF VANCOUVER ISLAND. BOAS, FRANZ MEMOIRS, 8, 1909

Museum Purchase: Native American Acquisition Funds.