Basketry woven piece that has a central oval around which, there are five solid bands curving from one side across the top to the other side. The bands, from the middle to the top, are white, red, yellow, white, and orange. In between the bands, there is a zig zag pattern.

Open-work basketry woven mask of plant fibre that tapers from the sides to a long vertical point, creating the nose with a circular eye on either side surrounded by a vertical oval. From the top of the head, there are three flat levels of radiating zig zag bands. Covered with clay and painted white, black, red and yellow-orange.

A circular clay face with long dark brown feathers on top and a bone point below that is concave on the front side while convex on the back side. The cowrie shell eyes are painted red and are outlined with a black line extending upward toward its respective temple, which in turn, is outlined with white and red. There is a long black line running down along the middle of the face to the end of the nose. The top of the forehead is decorated with small cowrie shells. The lips are pinched to pout out and the mouth area is white.

Large light-brown coloured spoon. Bowl of spoon is oval-shaped, plain, and curves upwards. Handle gradually tapers to a pointed tip.

Rectangular-shaped pouch that has stiffened and is folded over at one end (part a). Parts b to yy are cylindrical wooden gambling sticks that have red and black stripes in the centre.

Cylindrical whistle that tapers at one end to a mouthpiece for a whistle; mouthpiece has one hole in end and one hole in diagonal cutout from one side. A band of coiled cloth goes around circumference just below the diagonal cutout.

Maroon velvet surcoat heavily ornamented with gold. The woman’s coat has a fitted bodice and full, calf-length skirt. The bodice and skirt are almost entirely covered with scrollwork embroidery, worked with metallic gold cord and metallic gold thread, except for a plain panel on each side of the bodice front and at the centre of the bodice back. The bodice is sleeveless in the front; there are long, flat panels that suggest sleeves, attached at the shoulders and back arms; these are worn crossed and fastened with hook and eye at the centre back below the waist. The edges of the bodice meet at centre front; although there are eight decorative buttons on each side of the centre front opening of the bodice, there is no provision for fastening. Buttons are made of metallic gold thread wrapped around a wooden core, trimmed with small coral beads. Smaller buttons at the bottom edge of "sleeves." There are pockets on each side of the skirt, just below the waist. All edges are bound with patterned silver ribbon and five rows of heavy gold cord. The garment, which is very stiff and heavy, is entirely interlined with animal skin, which supports the weight of the metallic embroidery. Bodice and skirt are lined with orange cotton damask; sleeves are lined with striped black, white and yellow cotton broadcloth.

Board with overall elongated oval shape. The board is decorated with a symmetrical curvilinear design that is divided down the centre of the length and is carved into the wood with a slightly raised border around each shape. The design is filled in with white and black pigment and the remainder is covered in an orangy-brown on the face and a blackish finish on the reverse.

Circular, brown net with a knotted, diamond-shaped mesh.

Long wooden piece with eleven projections that angle inward and taper to a point. Central projection is small and rounded. Small flat knobs are found at each end of the piece.