The shaft is carved with dark vertically linear designs on a natural background above six of the cane joints. The end of the shaft is notched and wrapped with fibre. The base of the shaft, near the pointed end, has a reddish horizontally linear design. The point is plain dark wood.

Bamboo arrow with pointed tip and geometric design carved into the bamboo near the tip. The design is accented with orange-red, white and brown pigment. The end of the arrow is notched and has thin strands of fibre wrapped around it. Fibre wrapped around the shaft, approximately one third of the way along the length from the tip.

Bamboo arrow with pointed tip and geometric design carved into the bamboo near the tip. The design is accented with orange-red, white and brown pigment. The end of the arrow is notched and has thin strands of fibre wrapped around it. Fibre wrapped around the shaft, approximately one third of the way along the length from the tip.

Bamboo arrow with pointed tip and geometric design carved into the bamboo near the tip. The design is accented with orange-red, white and brown pigment. The end of the arrow is notched. Fibre wrapped around the shaft, approximately one third of the way along the length from the tip.

Bamboo arrow with pointed tip and geometric design carved into the bamboo near the tip. The design is accented with orange-red, white and brown pigment. The end of the arrow is notched. Fibre wrapped around the shaft, approximately one third of the way along the length from the tip.

Bamboo arrow with pointed tip and geometric design carved into the bamboo near the tip. The design is accented with orange-red, white and brown pigment. The end of the arrow is notched and has thin strands of fibre wrapped around it. Fibre wrapped around the shaft, approximately one third of the way along the length from the tip.

A large ceramic vase with dark yellow-brown glaze that has a bit of a tinge of green in a few areas. The bulging body tapers down to a straight upright base and a neck which flares out into an open mouth that has protruding dots around the upper rim. Two head figures with a ring underneath are on opposite sides of the body.

Three-legged brown metal incense burner with a round body (part b), domed lid (part a), and a raised circular base (part c); the lid is covered with a perforated, scrolling floral design and topped by the miniature figure of a seated dog. Burner's sides are covered with eight applied figures, alternating between an orchid-like flower and a dog's head with a ring hanging from its mouth. The three legs on the burner are shaped like demon heads with protruding tongues. The circular, raised stand has a curving foot and is covered in a repeating petal-like pattern.

Silver, cylindrical mani khorlo (prayer wheel). The silver wheel is covered in repoussage metalwork, with two bands of Sanskrit text inscribed in Lantsa script conveying iterations of **||Om mani padme hum|, the sacred six-syllable mantra for Avalokitesvara. The same mantra is printed on thin paper and rolled around the cylinder’s core spindle, where it is hidden from view; a bud-shaped finial with a flat, circular base is featured on the top, while a metal chain with a polyhedron finial is attached to the side. Cylinder is mounted on dark brown wooden handle capped with metal, about which it turns.

Long, brown metal horn in four segments with a mouthpiece--last two segments are collapsible. Segments are divided by bulbous protrusions that ring the horn; the horn's rim and several of the dividing protrusions are flanked by patterned metal appliqués. The mouthpiece has a long shank and a large cup with a wide, flat rim; underside of the cup is covered in the remnants of a red, velvety material.