A cotton, gauze-weave head cloth in blue, green, orange and shades of yellow. Colour alternation is semi-regular in both warp and weft directions. Composed of two loom widths, each with narrow, yellow camelid borders along the warp selvedges. Sewn together along a weft selvedge. S-twist cotton yarns, z-spun, 2 plied s camelid (alpaca ?) and cotton yarns.

The band is thick, long and narrow with patterns of red, yellow, brown, white and green. The pattern shows the profile of an animalistic figure with a gaping mouth, repeated 49 times in varying colour combinations. The background colour changes between red and yellow after every four figures. One end has unraveled threads, the other end has the original warp loops. Z spun, 2 plied s yarns.

The white textile is long, narrow and unfinished with flaring ends. The two ends are dissimilar in colour and pattern. One end has four woven bands of triangles and diamonds in red, yellow and black. The other end has seven narrow bands of yellow, green and red interspaced with seven dark red bands. The bands show zoomorphic designs in black. The ends are woven in combination weft faced plain weave, complementary and supplementary weft weaves using camelid. Except for the ends and the unwoven section, the cotton warps are plain woven with cotton wefts. Z-spun, 2 ply s yarn.

The cloth is a sheer rectangle of crepe-like texture with a white and brown pattern. The pattern is resist-dyed with rectangles arranged in diagonally repeating rows. The rectangles are white and two shades of brown with a dark brown outlining around each. Some rectangles have a brown dot in the centre. The cloth is composed of two loom widths joined by an almost invisible seam.

A rectangular grey fragment of plain weave cotton with a row of three crested birds which are brocaded in red and four shades of yellow camelid yarn. Weft faced stripes in two shades of yellow border the row of birds. A separately woven tape with fringe alternates stripes of dark yellow with red and light yellow and is sewn to the warp selvedge of the fragment. Two cut edges and two selvedges are present. The plain weave ground cloth is unevenly battened just above the design area. Z-spun, s plied yarns.

A slit-tapestry plaque with an interior frame of reed and a five layer multicoloured fringe surround. Tapestry on both sides of the plaque, each with a multicoloured human figure standing in a frontal stance, each dressed differently, on a yellow background. A flexible tapestry section with a row of red spirals on yellow and a geometrically rendered face in yellow on brown is attached to the top of the plaque. Yellow, gold and red are the major colours; white, black, green, pink and brown are accents. Z-spun, two plied s yarns.

248 golden metal beads in a container. Each bead is barrel-shaped and fashioned from a flat sheet by wrapping. The join is a simple overlap.

210 golden metal beads in a container. Each bead is barrel-shaped and fashioned from a flat sheet by rolling. The join is a simple overlap.

114 tiny, barrel shaped rolled, gold, sheet metal beads. All have simple overlapped join. The beads vary in length, diameter and extent of overlap.

241 assorted mineral and stone beads, mainly turquoise; strung on monofilament. The stone beads vary in shape, size and finish. There is no discernable order to the stringing. (Plastic fishing line was added by the collector for holding the beads.)