Pulley with elongated face, and elaborate hair style. Head is perforated with twisted fibre cord attached. Long neck joins head to squared shoulders. Perforations in bottom of arms. Figure rests on rectangular base.

Heddle pulley with elongated, long-nosed human face and hair with elaborate tresses. A long neck with horizontal scarification marks joins head to square shouldered body. The body has a few simple lines incised on it and on the top of the head. Bottom of arms are perforated. The heddle is covered with a worn, crusted black patina. Bobbin is missing.

Wooden heddle pulley with bush cow (?) head. Shoulders are rounded and arms slightly flared. Body and neck are decorated with a geometric motif, head and bottom of arms are perforated. The surface is covered with a worn patina, and whittling marks are found on the arms. Bobbin is missing.

Heddle pulley with geometric motif incised on the head. Arms and head of pulley support are perforated. Has worn patina overall and a crack covering the length of the body. Signs of wear from this piece are visible on the inside of the supports. A small disc used as the bobbin is missing.

Hardwood piece with reddish patina and thick black paint in areas. Upper half consists of large and small human heads placed back to back with one long neck continuing into large u-shaped structure. A twisted and knotted cotton cord passes through a hole in the top of the larger head. Both heads have carved facial features in relief: long slit eyes elongated nose, pointed chin with protruding lips, long crescent-shaped black eyebrows, black cap-like hair. Black paint also in rings around neck and front and back faces of u structure. European thread spool attached by wood rod placed through ends of both stems of u structure at a perpendicular angle.

Hardwood piece that has a worn black-painted surface with two-thirds of which is a woman's long neck and head. The other third is a rounded U-shaped structure. Tripartite coiffure, chin length, blunt cut with incised lines for hair texture. Facial features are carved in relief. Face has semi-circle shaped eyes and a wide nose. The forehead has seven small raised squares that are placed horizontally in groupings of two and three. Flange of neck has extensions and each have a hole for attaching roller at perpendicular angle. Roller is now missing. Horizontal perforation through hair section at back.

Light brown wood piece, two-thirds of which is u-shaped. The other third is woman's neck and head. Hair, textured by incised lines, is pulled far back on forehead and forms three crests running front to back. Carved facial features are in relief: protruding lozenge-shaped eyeballs and eyelids, long crescent eyebrows, long narrow nose, and jutting chin with open lozenge-shaped mouth. Row of incised diamonds at top of u structure. Vertical perforation at back of head has twisted and knotted light brown cotton cord passing through. Extensions of u structure each have hole for attaching roller at perpendicular angle. Roller is now missing.

Dark brown wood piece, half of which is u-shaped. The other half is woman's neck and head with hair pulled up into elaborate crest coiffure down centre of head from front to back. The crest has one pierced hole. Facial features are carved in relief. The hair texture is incised lines. Geometric patterns cover neck and u structure. A split through centre of piece is held together by horizontal iron rod nailed through middle of wood. A bone roller, worn down in centre, is attached at a perpendicular angle between the two stems of u structure on an iron rod; stems pierced by it.

A light brown-coloured elongated oval wood piece carved as human head (part a). Hair protrudes from the top and extends as a point over the forehead. Facial features are in relief. One horizontal step is cut for the eyebrows. The eyelids surround slit-like eyes filled slightly with silver foil(?). The long nose is pierced with knotted raffia. The cheekbones are peaked, and deeply recessed below, are formed by elevated sections resembling a nose form which continues around to the back of the head. The lips are formed by adding two balsa(?) pieces to the mouth. Faint traces of iron oxide, and black, and white paint. Raffia binding passes through pierced holes at the top back of the head. Dark brown wrapped bamboo ring (part b) with fine wicker work is added out from the edge with the ring width tapering in at one point. (One knotted fragment (part c) is separate)