Print of a sea creature with fish and human attributes. Creature is upright in a running position, in profile, facing proper left. Has large eye outlined in blue, mouth lined blue, five red crescents outside its mouth that appear to be gills. Mouth has teeth and a red tongue. Has three claws on each hand (2) and foot (2). There is a two-pronged fin near the base of its back. Large designs on body in green, red, black and blue. Also small multi-coloured marks all over body that gives appearance of fur. There is a smaller creature on its back, the face near the main creature's neck. Black inscription below image. The print is on vertically rectangular, off-white paper.

Print of stylized black and red dogfish with traditional Northwest Coast design elements. Central face with large eyes, diamond shaped teeth, four crescents pointing down on forehead and three on each cheek representing gills. Symmetrical extensions from head on each side, possibly representing profile view of body. Artist name, title, 116/185, "Limited Edition" and date written underneath image in pencil.

Print with two sets of feather-like columns at the top of the page separated by a longer central feather-like column. On either side of the central column and underneath each set of shorter columns are large ovoid shapes resembling eyes. Eyes are red and have black lines in the centre depicting eagles(?). The bottom section of the image has black triangular shapes that point downward resembling sharp teeth. On the bottom edge of the image, there are four shapes in red. The two shapes at either end have rounded edges, and the shapes in the middle are more rectangular in shape and have black lines in the centre resembling animal claws. Handwritten inscription below the image reads: "45-75 WOSKO Francis Williams '77." There is a circular embossed design in the right corner.

Print of mother carrying child being attacked from behind by a small bear. The mother is wearing a large black jacket, pants, and white boots. The child is wrapped in a blanket that has small design detailing in the front (zigzags). The bear is on hind legs with its teeth bared biting the mother's back. The mother is crouched forward and appears to be looking behind her slightly with her mouth slightly open.

Untitled, stonecut print of a woman holding a child. The woman is wearing a parka, pants, and boots and has medium-length thick black hair. She is holding a naked child in her extended arms and is in a walking position. A blue wash covers the centre of the print. The artist name, print number and location are written in pen at the bottom right.

Print depicting a hybrid bird, fish and woman in profile. The figure has a woman’s hand and head. The face looks backwards at its own fish or whale-like tail. Underneath this fish tail, there is another, bird-like, tail. Supporting the creature is a large bird foot. The creature’s flesh is covered in a number of different texture designs. There are two small stamps in the lower left edge of the image; one is black and the other is red. The red stamp resembles an upside down ‘u’. The title of the work and the artist’s signature are written along the bottom edge of the image. There is a brief artist biography and distributor’s stamp on the back of the print.

Stonecut print depicting a large polar bear being pursued by a wolf, a hunting dog and a male hunter. The hunter wears boots, pants and a hooded parka and carries a spear. To the right of the hunter’s head are four stamps. Two of these stamps are red with the top stamp perhaps depicting an eye. The bottom two stamps are black; one of which is more faded than the other. Inscription: "Chasing the Bear stone cut #40/50 Cape Dorset N.W.T. 1961 Eegyvudluk" runs along the bottom of the image.

Stone-cut print on thin hand-made paper, mounted on cardboard. At the top of the image, there is a rugged black line which forms the land upon which two beings are standing. One of the beings is a hunter but the being on the left side is a more enigmatic figure because it has a misshapen stomach and body. This being is naked, however, and has a male sex organ so we can surmise that it is male. The two beings are tethered together with lines attached to the harpoon that the hunter upraises in his left hand. In his other hand, the hunter holds a shield. On the far right edge of the land, there is a small shelter, supported by three wood poles. Below the land there are ten whales. The whales are a variety of different shapes suggesting different species. All of the whales swim towards the right side of the paper. There are three or four stamps in the upper right corner; two of which are red and two of which are black. "Lumiuk and the Whales stone cut # 12/50 Cape Dorset N.W.T. 1961 Kiakshuk" is written along the bottom edge of the paper in pencil.

Red, naked male figure in dancing or running posture, with long black hair. Figure wears two masks, one facing forward and another facing back. Masks are blue and white with large circular black eyes. Mask facing forward has black lips with exposed teeth. Mask facing back has black lips and closed mouth. One hand is in a fist, another has fingers extended. Each leg has white circle at knee and ankle. "53/200 "Koo-kwath-pa-thia" AThompson '75" written underneath image in pencil.

Print on horizontally rectangular paper showing a image of a large figure holding antlers and a bird with long neck and head lowered in top left corner; also three brown caribou, two without antlers, one with, at right. Pencil inscription below image reads "32/50" title and artist's name in Inuit syllabics "1963". Canadian Eskimo Arts Council stamp and Cape Dorset stamp blind embossed in lower right corner.