Male Bunraku theatre puppet (part a) wearing a long heavy robe. He has a removable head (part b) and separate sword (part c). The body has an internal wooden, bamboo and paper frame, with cords and rods throughout to control arm and hand movement. There are stuffed cloth bundles around the arms, legs and stomach for added dimension. The character is wearing a long-sleeved, front-closing under-robe, coloured dark orange with elaborate white embroidery across its entire surface. Motifs consist of circular dragons with curvilinear and floral lines in between. Overtop, the puppet is wearing a short-sleeved, vest-like robe. The shoulders and lower half are pleated. Coloured dark purple with a dark grey meander pattern background. Throughout there are embroidered circular dragons divided by rows of flowers; designs in white, dark orange and dark green. Matching belt tied around waist. White wooden hands extend past the sleeves. The head (part b) consists of a beige square-like face, long beige neck and styled black hair. He has a wide nose, large light grey eyes, and wide slanted eyebrows. A pointed diagonal red line is painted across both eyes, lips are done in a matching red. He has a light blue beard and moustache. Hair is pulled into a top knot, with a paper bow secured behind. Head is attached to a wooden rod with a handgrip. Multiple cords, with toggles, run through the grip and into the head, to control eye, eyebrow, mouth and neck movement. Maker's mark stamped onto base of head and along back of handgrip. The short curved sword (part c) is sheathed. It has a black hilt with a bronze-coloured metal pommel and guard. The sheath is black with a bronze-coloured metal cap. The sheath’s grip is dark brown and has light brown flowers painted across it. Brown, grey and white striped cord tied around the blade, to attach it to the puppet’s belt.

Set of 20 can-shaped ceramics (parts a-t), painted to imitate Campbell's soup cans. Some are named with traditional Campbell's names, while some are Cree inspired flavours. Each 'label' also gives the Cree language translation of the flavour in the upper section, and "Naboob" is written at the bottom of each can (the Ojibwa word for soup/stew). The cans are labelled: (part a) Kisti' Kânis / Vegetable; (part b) Wâpoos / Rabbit; (part c) Atihkowiyâs / Caribou Meat; (part d) Misi'hew / Turkey; (part e) Âhkosê' pet / Hangover; (part f) Sikotîyikun / Hamburger; (part g) Kihcôkiniy / Tomato; (part h) Mooso' kot / Moose Nose; (part i) Iotasahkêw Mohtêwiyâs / Indian Agent Maggoty Meat; (part j) Mistam' Ekos / Salmon; (part k) Papahâh Kwân / Chicken; (part l) Mostos Wiyâs / Beef; (part m) Askipwâwi / Potato; (part n) Oskan / Bone; (part o) Muskwa Wiyâs / Bear; (part p) Âmisk Wiyâs / Beaver; (part q) Sosâ' Siw Unawîy / Salmon Cheek; (part r) Okês' Kwew / Spring Chicken; (part s) Miskin' Âhk / Turtle; (part t) Osâw'puk / Pumpkin.

Haida manga watercolour and ink painting. The painting is comprised of 18 separate, multi-coloured, story panels. Each panel shows several scenes in the story, in order, starting at the upper left corner. When all the panels are hung together in a rectangular configuration (6 panels wide x 3 high) they also form a larger image, united by a thick, black, painted line. (From the upper left corner of the image, l-r: parts a-f; middle row, l-r: parts g-l; lower row, l-r: parts m-r.) The artist signed each panel on the back and sketched out where it fits in the configuration.

Large antelope puppet head (part a) with detached horn (part b), and a separate manipulation stick (part c). The face of the animal is painted in a plaid pattern of red, white, green and yellow squares with concentric V's on the forehead - red, black, white, green and yellow, and a white heart-shaped nose. The horns are both broken, with one detached. In between the horns is a small human figure with bright pink skin, wearing a beige tunic. The figure's arms are jointed at the shoulders, and are controlled by blue string. The manipulation stick is inserted into a rectangular hole at the back of the head.

Headrest, or stool, carved from a single piece of wood. The headrest is solid, with both top and sides concave, and resting on an oval base. The sides are incised with designs in an overall concentric V pattern with each composed of zigzag lines.

Headrest carved from a single piece of wood. The upper surface is flat and smooth, and curves upwards on either side. The rest sits on a pedestal at centre with a rectangular support, and then two layered cones.

Mask with trunk-like projection extending forwards from top of the head. Mask built on a wood frame, lined with woven plant fibre. Heavily decorated with cowries and areas of beadwork on forehead and around side. Face has cowrie shell eyes outlined with beads, and a wooden nose and mouth. Bottom edged with plant fibre, which has been split into finer pieces below the face.

Wand with heavily beaded handle. Three sections of bands of colours - dark brown, yellow, orange and light blue, with three sections of triangles in white, dark green, yellow and orange. There is a section where the shaft splits into four smaller pieces that are wrapped in light blue and black beads. Above the beading, the handle is wrapped in red fabric with two small loops of plant fibre cord attached. Extending from the other end is long, straight dark red-brown horse(?) hair over wood, that folds over on itself where the wood ends.

Mask with a bird head and vertical rectangular superstructure. The bird has two large concentric circle eyes, a raised red ridge, and a long curved beak. Both the head and the beak are painted with black and white repeating triangle designs in various sizes. Long brown plant fibre hair is attached across the back of the face mask, and hangs down. The superstructure consists of two rectangular panels, attached with some openwork. The panels are surmounted by a large crescent with smaller diamond.

Plank mask with circular face and tall, vertical superstructure. The face has two large concentric circle eyes, concentric diamond nose, and a small tubular mouth. Long plant fibre hair is attached across the back of the face mask, and hangs down. There is a black downward-curving projection attached at the centre of the forehead. Diamond-shaped panels connect both ends of the long rectangular board. The board is painted with geometric and zoomorphic shapes in black or dark red on a white background. Surmounted by a crescent-shape.