Ghost net dari (or dhari) headdress. Headpiece is shaped like an inverted-U, with a horizontal line through the middle. Five lines extend from the top of the centre line. Middle one is straight and connects with the top edge; other four form inverted-U shapes and reconnect with the centre line. Two additional curved lines protrude from the middle line, connecting with the main body of the headpiece. Curved and inverted-U shaped lines are all dark blue; straight lines and headpiece are done in olive green, dark blue and green. Headpiece has an outer green border and it is connected to the headpiece with black zigzags. White feather-like protrusions extend from outer edges of green border; protrusions in bottom corners are longer than rest and undecorated. Rest of protrusions have had their ends cut; long diagonal lines extend from tips. All protrusions are secured with wire, wrapped in green. Orange circle is tied to top centre of headpiece with three feather-like shapes extending from it. Long black "feather" in the middle, framed by smaller white and black ones, is topped with tufts of white plastic.

Dari (or dhari) feather headdress. Headpiece is shaped like an inverted-U, with a horizontal line through the middle. Three lines extend from the top of the centre line, connecting with the top edge; outer lines are curved, middle line is straight. All pieces are made of cane, wrapped in orange fibre. Headpiece has an outer border of plastic; connected to headpiece with black cane, shaped into a zigzag. White feathers protrude from outer edges of plastic, secured with black fibre; feathers in bottom corners are longer than rest and undecorated. Rest of white feathers have had their ends cut; each has three small triangles on either side and long diagonal lines at the tip. Large red seed is tied to the top centre of the headpiece and has three feathers extending from it. Long grey feather in the middle, framed by smaller white and black ones, is topped with a tuft of white feathers; secured to grey feather with white fibre.

Painting on paper depicting two Thunder Bird dance masks; shown in profile, facing one another, and tilted upward. Both have curved beaks with nostril cutouts, thick ridges along their tops, cedar bark fringe extending from the back and bottom edges, and two U-shaped wings along the backs. Underneath the masks are the sides of a Thunder Bird dance cape, designed to look like wings; four feathers on wing underneath left mask and three feathers on wing under right. Mask on left has U-shaped horns and a ridged tongue; mask on right has curved horns and a smooth mouth. Masks and cape elements are decorated with formline designs; done in black, gold, red, dark green, orange, blue, and light green. All cedar bark is painted gold, orange, and yellow. Title and artist signature written in pen along bottom edge of painting. Additional numbers written in corners on front and back.

Thunder mask. Wooden humanoid mask, with bulbous forehead and pronounced brows. Deep-set eyes, with edges carved in relief, are over a large hooked nose, with wide oval-shaped nostrils. Nose extends over open mouth with two rows of bared teeth; rounded chin juts out below mouth. Trigons are carved into cheeks; ovoids done in relief overtop of brows. Forehead and chin are painted black; brows, nose and cheeks are painted dark blue. Ovoids, trigons and nostrils are done in red; teeth are done in silver. Brows, nose and eyes are highlighted with silver. Additional silver decoration painted along bottom corners of mouth, extending down chin. Both dark blue and silver paint have a metallic sheen. Holes drilled into sides and along top edge of mask, for attachments. Back of mask is hollowed out. Holes in mask for eyes, nostrils and mouth.

Painting on paper depicting war canoe dance. Two figures stand in foreground, facing one another, and holding upright paddles. Large canoe in middle of painting with a flying bird motif along side. Canoe is being paddled by five people; sixth figure, wearing a feathered headdress, stands at the bow with a spear. Directly behind the canoe is a large masked figure. All figures are wearing a variety of neck rings, wristbands, headbands, belts, and button garments. Formline design motifs throughout scene and figures; done in black, green, blue, red, gold, and brown. Title and artist signature written in pen along bottom edge of painting. Additional numbers written in corners on front and back.

Two-piece mask (part a) and tunic (part b) costume. Mask consists of a rounded basketry headpiece, crowned with ten horns, and a rectangular panel hanging from the front. Headpiece is covered in thick braids, made of hair, which wrap around the bases of the horns. The braids then extend downward, draping over the chest and back of the wearer. Braids have red cloth tied at intervals along their length with cowrie shells hanging from their bottoms. The mask panel is covered entirely in cowrie shells with stuffed red fabric in the centre, imitating eyes and a nose. Additional cowrie shells and red fabric decorate the horns. The tunic is sleeveless and indigo-dyed, with off-white designs throughout. Designs are inside rectangular blocks across surface. Designs include: interlocking abstract “X” shapes, dots, concentric diamonds, and propeller-like shapes. Fringe decorates bottom edges and slits are cut underneath arm openings. Black cloth lining around neck opening and slits.

Hand-pulled linocut print depicting a female dancer standing in the sea, with mountains and a cloudy sky in the background. Dancer is wearing a shawl, shirt and knee-length skirt; hair is down and she is barefoot. Head is tilted and right hand is raised to her ear; left hand is held out to the side. Wide curved lines extend from around her hands, touching the edges of the print. A lightning serpent is depicted below her in the sea; shown in profile. Along the bottom edge of the print the edition number, title and artist signature are written in pencil.

Woodblock layered print depicting a female dancer wearing a headdress of a female lightning serpent; dancer is also being led by the supernatural being. Figure is wearing a shawl with circular motifs, short pants and tall boots. Large white circle behind dancer's face; filled with curved rows of dots and trimmed with plain bands and dots. In bottom right corner of print, there is a row of dancing women; heads are tilted down, left hands are raised and right are at sides with their palms down. All are wearing shawls, shirts and knee-length skirts. Wavy bands stretch across print; bands are either plain or filled with circular motifs. Small lightning serpents throughout background; circles with star-like shapes in their centres throughout background. Print has a yellow background with designs overtop done in black and white. Along the bottom edge of the print is the edition number, title and artist signature are written in pencil.

Large three-headed bark cloth dance mask. Central head extends from dome-shaped headpiece. Identical smaller heads jut out from either side of its neck. They all have large semi-circular foreheads, wide round eyes, long straight faces, and thin protruding lips. Mouths are open and have large curved circles attached underneath. Entire mask surface is painted white with stylized triangular and circular motifs done overtop in black and red. Black rectangular panels painted across backs of heads and across headpiece. Panels are filled with triangular, linear and floral motifs. Mask frame made out of bamboo rods, bent and tied together.

Etching of a clear-cut landscape in black ink on off-white paper; vertical orientation on black background. Large tree is in foreground with a humanoid figure sadly looking up at it. Figure is holding a staff with two smaller figures wrapped around it. Background is filled with tree stumps; mountains and hills throughout. Mix of fluffy and dark clouds in the sky. All depictions in etching are made of formline design elements. Etching number, title, artist signature and date made written along the bottom edge; blind-embossed stamp in bottom right corner. Framed.