Storyboard-like drawing in pencil with some parts outlined in green pencil crayon. The top part shows a log being grabbed by a machine. The middle shows a circle with lines through it, and the bottom shows a truck. Images are separated by curvilinear lines. The reverse is almost completely shaded with pencil. The paper is cut out at all four corners.

Drawing shows a blue bear with Northwest Coast style facial features and two people, one of them holding a paddle, in the upper right. Below them is a logging scene with a jumble of menacing machinery and a crane rising out of it. Speach bubbles and text run across the centre of the image. The reverse is almost completely shaded with pencil, except for a face sketched in the corner.

Page torn from a sketchbook with images on both sides: the front shows Northwest Coast style design outlined in ink and pencil and filled in with yellow and red watercolour; the reverse features pencil sketches of six faces, one coloured in with pencil crayon.

Two storage compact discs of visual recordings. The discs are silver coloured on the surface, and drawn on by the artist in black marker. Disc 'a' (1 of 2) has two birds drawn on it, disc 'b' (2 of 2) has a person wearing a hat. Title of the disc, website, date, number, and artist's signature are written on each: "The Last Voyage of the Black Ship Feb 2003" 1/2 and 2/2.

Watercolour storyboard panel with several separate image; images are divided by blue and red curvilinear bands resembling Northwest Coast style formlines. The top left corner shows a chainsaw. Below this is a scene of a man in the forest wearing a hardhat and lighting a cigarette. The top right shows the man with the chainsaw cutting down a tree. The scene below this depicts the man's feet by a tree stump with mist swirling around them.

Watercolour storyboard panel with several different images. The top portion of the panel contains two scenes: the window of a house and a man and a woman sitting on the other side of the window. The man wears a plaid shirt with pink suspenders and holds a steaming cup. The middle of the paining shows the man with his hands clasped. The bottom of the painting shows a landscape scene of mountains and water with a house in the lower right corner. The various parts of the painting are divided by blue curvilinear bands resembling Northwest Coast style formlines. Note: white out.

Storyboard-like black and red drawing in four separate panels. The top right panel shows a bird face and a landscape scene. The lower right panel shows a person with glasses, another person behind, and forest scenes. The lower left panel shows two groups of two people talking and birds in water. The upper left panel has penciled shapes at the top and a scene of houses and trees below. There is writing overall.

Sculptural installation in the form of two very large lahal sticks. Each is installed vertically, and rotates on a central axis. The 'male' stick (part a) has a wide copper band around its centre, with the Royal Proclamation of 1763 acid-etched into it. The 'female' stick (part b) has 5 copper inlay hands, each with a year acid-etched into it. Both have carved hands protruding from the main post - one pair of hands extend palm-up in the lower area; 8 fisted hands extend out, around the post, above the central area; one hand points downward from the upper area. Both sticks also have two colour-stained, wood veneer bands at each end, with inlaid abalone figures between them. The 'male' stick has 2 crown and 2 jester hat shapes between the top bands, and 2 trees and fish between the bottom bands. The 'female' stick has 2 trees and fish between its top bands, and 3 pairs of sticks between the bottom bands.

Watercolour divided into two storyboard-like sections. The left side is a rear view of a naked person standing in water up to their knees; the image is cropped as to focus on one leg form the buttock downward. Beside this is part of a face, the majority of which has been cut away. There are several paint splotches on the back. A yellow sticky note with a memo to "redo page" is attached to the front.

"The Raven Dances with Frogs" robe. Hand-woven chilkat style child's robe, shaped like a horizontal rectangle on three sides, with the lower edge curving downward to the centre. Long warp fringes of brown and white yarn along the lower edge tapered to be the longest at the centre, with supplementary fringes of white yarn. Main panel is composed of complex formline design in black, white, yellow, and turquoise, outlined in narrow black and white braids, a wide surround of yellow, another band of braids, and an outer surround in black. Double band of braids of brown and white yarn at each side, ending in four bands of wrapped yarn, two black alternating with two yellow. The main panel has a rectangular human-like face at the centre front, above which are two yellow eye forms containing frog faces. Below the rectangular form are two inverted eye forms, beside which are feet with claws. Above these on each side are two more eye forms in yellow. At the midpoint of each side edge is a rectangular profile human-like face looking inwards towards the centre. Throughout the robe the braid outlining is raised from the finely-woven surface, making it three-dimensional. Only the major designs show on the reverse, not the braids.