Stonecut print of two kayaking men. The men have dark hair and are wearing hooded parkas. Both are using double-bladed paddles and have three black bundles on the back of their kayaks. A man-like monster is swimming under the water, on the left side of the print, and pointing up at one of the kayakers. He has long hair and is wearing a long-sleeved shirt, pants and tall boots. On the shoreline, a woman is depicted exiting a light yellow-brown tent. She is wearing a hooded, long-tailed parka and tall boots; she is holding a pouch(?). In front of her tent is a fire pit with a pot over it; jagged clouds of black smoke(?) surround it. A large bird is flying along the right side of the print. Water is dark brown-black with white dashes throughout; shoreline is dark red-purple with white spots throughout. Along the bottom edge of the print the edition number, a syllabic inscription and date are written in pencil. Diamond-shaped blind-embossed stamp in bottom left corner.

Stonecut print of four people dragging three seals into a tent. Figures are all wearing hooded parkas, trimmed with fur, and tall boots. Figure in front centre is bent over and holding a rope, attached to a seal, and figure on left is holding an ulu knife. Tent consists of dark yellow and black sealskins stitched together; circle of black rocks around base. Two lines extend from either side of tent, supported by central poles of tent and separate ones staked into ground outside. Dark red skins are hung over the lines and poles; harpoons lean against the side of the tent. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative Symbol stamped in bottom right corner.

Stonecut print of a camp. Scene consists of four igloos with eight figures and two dogs. There are three igloos in the background and one in the foreground; back igloos are in a row, front igloo in centre. The igloo on the left side of the print has walls extending outward and connecting it to the igloo in the foreground. All of the figures are wearing hooded parkas, mittens and tall boots. Four figures are in the background, on top of and behind the igloos, holding tools. One figure is sitting, hunched over, in the entrance to the igloo on the left. Another figure is on their knees, holding a fish, in the entrance to the igloo in the foreground. In between the two sitting figures is a dog. On the right side of the print a woman is standing, with a baby strapped to her back, and holding a pole with three fish speared on it. The second dog is standing on its hind legs, next to the woman, attempting to eat the fish. There is a sled in the upper right corner of the print, behind an igloo; hunting equipment in the bottom left corner. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative Symbol stamped in upper right corner. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner.

Stonecut print of two geese and a nest. One goose, done in black, is standing overtop the nest; second goose, done in dark brown, has its back turned to the first and its head bent to the ground. Both have their wings spread. The nest has three eggs in it and is done in green and yellow; ground done in same colours, with white spots throughout. Along the bottom edge of the print the edition number, a syllabic inscription and date are written in pencil. Diamond-shaped blind-embossed stamp in bottom left corner.

Painting on a rectangular piece of slightly warped bark; depicts Njaljod (the Rainbow Serpent). Painting background is orange-red and the undulating serpent spans the entire width. Serpent has a thick body that narrows at the neck and tail, an oval-shaped head with an open mouth, and two small circular eyes. A long, white forked tongue extends from mouth, into bottom right corner of painting. Body of serpent is decorated with chevrons filled with cross-hatched bands; bands are dark yellow, maroon, black, and white. Lines dividing chevrons are maroon and decorated with alternating black and white dots. White bands run along curves of serpent, with maroon diagonal lines spaced throughout. White flowers extend from the bottom and top of serpent, at the centre of the painting. Wooden rods are tied to either side of painting, with plant fibre ties. Back of painting is undecorated; inscriptions written throughout and a paper label is adhered to centre. (Metal hanging hardware along top edge).

Painting on a long, thin and rectangular piece of slightly warped bark; depicts Yurlungurr (the Great Snake). Painting background is maroon with sections of black and dark yellow; maroon is covered in white dots. Main design consists of two large, curled serpents in centre of painting. Snakes have thick bodies that taper at white, oval-shaped heads and pointed tails. Short, white forked tongues extend from mouths; both have maroon circular eyes. Bodies are decorated with diagonal bands filled with cross-hatching; bands are maroon, white and dark yellow. Snake bodies are outlined in maroon with white dots throughout. Neck of top snake is dark yellow, bottom snake has a black neck. The space surrounding the top snake is black, space around bottom snake is dark yellow. Throughout painting background there are large semi-circles, fan palms, and animals. All background decorations are done in maroon, black, white and dark yellow; cross-hatching and dot motifs throughout. Back of painting is undecorated; paper label is adhered to centre.