Rectangular metal sword guard with low relief design of prunus trunk that grows from lower to upper right on face with spreading branches and has copper highlights inlaid. The reverse has a design of one prunus branch. Nakago ana, four chiselled adjustments; open kodzuka and kogai.

Oval, metal sword guard with four-lobed edge, triangular hole at centre, and ovoid hole to side of centre. Surface slightly raised above rim on both sides, overall brown patina, lightly hammered background. Low relief design of a farmer with overlaid gold clothing standing on a road and holding a rope that is attached to a bronze inlaid water buffalo with overlaid gold bales on its back. The buffalo stands in shallowly incised swirls of water with gold and copper water plants. At top an incised line of mountain peaks with three inlaid copper snow drifts. Back: at bottom left an incised swirl of water, scattered with copper blossoms. Open kodzuka, no kogai.

Four-lobe shaped metal sword guard with raised gold rim, nanako (minute raised dots) background; seppa dai of highly polished shakudo, unsigned, shows chiseled adjustment marks; open kodzuka, no kogai. Front: pattern of chrysanthemums, cherries, and butterflies, in low relief overlaid in gold, stems in polished shakudo. Back: similar pattern.

Circular, metal sword guard with circular shape, triangular hole at centre, and ovoid holes to either side. Edge is ribbed. Low relief motifs both front and back include waves and carp at bottom, writhing dragons on either side, and a pearl above which moves freely within a flaming halo. The carp, dragons and pearl are overlaid with gold and all connected by openwork vines which are undercut. Ana, copper insert at base; seppa dai, undecipherable characters. Incised; both kogai and kodzuka openings.

Circular with raised rim. Background is hammered and there is a lustrous patina overall. Nakago ana has chiseling and copper inserts; kodzuka, rimmed with softer metal, and kogai both open. Front has chain with some loose links that appears through hole at bottom centre, continues up right side as fixed links in high relief and terminates at top in lustrous copper anchor. Back has chain of fixed links runs from hole at bottom centre up left side and over top, across kodzuka, terminating in its lower edge.

Oval-shaped metal sword guard with a triangular hole at the centre and a semi-circular hole to the side. One face has a low relief design of two swallows, a tree and two rice bales, and the reverse depicts a tree trunk and roots. Engraved with Japanese characters. Oval; sentoku, evenly hammered background; nakago ana adjusted with chiselling; open kodzuka adjusted with shakudo insert, no kogai. Signed to left of nakago ana. Front: on right, two slightly raised rice bales with a copper swallow superimposed, a bare branch curving above; another swallow descends from upper left. Back: on lower left a tree root with scattered blossoms at base.

Fan made of woven palm sheath in diagonal checker weave, each strip about 1.5 cm. wide. Fan woven in one piece with cylindrical handle which is covered with thin palm leaf(?), also woven. Body of fan shaped like inverted triangle. Band of weaving 11 cm. wide at top in which strips are 1/2 width, partially woven in open pattern, with zigzag edge at top.

Box, circular in shape, of sheet brass with a shiny finish. The box has a hemispherical boss at the centre top surrounded by a ring with irregular small raised dots. Brass rings are mounted at either side of the box. The interior is divided into two semi-circular containers, each attached by a rivet so that they can swivel open in opposite directions.

Pair of brass candle holders, each composed of 6 parts. Parts a, g are bases, each having a round flat plate on single ring foot, incised with the design of 2 bats; on the centre is mounted a round post. Parts b, h are round plates with flat bases, straight sides and flat rim with round centre hole fitting over a and g respectively. Parts c, i each consist of a ring which fits over post of a or g below plate, one side of which is extended downwards. To this are attached 2 transverse round bars to the opposite ends of which is attached a hollow rectangular bar. Parts d, j hang over the lower transverse bars of c and i and each consists of a piece of heavy wire, bent into soldered elongated s-shapes. Attached to lower end of s is a 1/2 crescent pointing downwards, made of brass rod with finial on which is mounted a freely moving brass moth with fully modeled body. Parts f, l fit on ends of a and g and each consists of a brass tube at upper end of which is mounted a cup with outturned cup and 5 petal shaped pieces bent so that points nearly touch mouth. The post of part a has been broken from base and soldered back in place.

Round, bronze bowl with dark dull patina merging to black on underside; surface rough in some places. Flat base, on 3 feet like clam shells; straight sides, rounded and flaring out near mouth with rim turned outward. Horizontal loop handles in wave-like design set below rim. Turning marks are visible on inner surface; mended break below one handle near base. On outer surface below rim is a band of leiwan pattern, enclosed by heavy bands, below which are 8 floral-appearing tao-t'ieh motifs. Mark in 3 Chinese seal characters 'Made by Song Eun'.