Wooden figure made out of an old box consisting of a duntsik or power board used in winter dances. The design is cutout with Northwest Coast stylized forms and outlined in black paint. The image represented is a sisiutl with its curled horns protruding from the top; a human figure in the middle and a bird ? at the bottom. The board used to be in one piece but was cut and is currently in five bound together with sections of post and hole along with metal wiring.

Copper that has been split and rejoined. Base has edges that flare slightly towards the bottom edge, as well as a raised ridge that runs vertically down the centre. The upper section has edges that flare towards the top curved edge. Both sections are riveted together with four strips of copper that serve as supports on the reverse. The copper has incised designs.

Mask with a scalloped scale symbol edge at the top, slightly bulging eyes, a hooked nose with flared nostrils, and an angular, open mouth. The mask is painted with green, white and red on the scalloped top edge, white overall with heavy black brows, green around the eyes, a red and black design on the temples, green around the cheeks, red on the nostrils, a black scalloped gill symbol design around the mouth, a black moustache, red lips, and a black chin. An off-white cord is attached on the reverse through holes at the top and side edges.

Mask in the shape of a fish's head with incised curved gill-like lines on the cheeks, a pointed face, a movable jaw, and two copper thunderbird-like ears with curled tips on top of the head. A cedar bark fringe with a twisted cedar bark border and off-white feathers are attached at the top of the mask and extend down the back. The mask is painted a metallic grey with black eyebrows, white gill-like incisions, red nostrils and lips outlined in white, silver around the eyes with two dotted lines at the bottom of the eye sockets, and black and red designs on the ears.

Mask (a) made from two separate pieces of wood and joined at centre at an angle with a triangular support at the top. The face is painted with heavy black eyebrows that have arched blue design elements above them, light blue around the eyes, red on the nostrils and lips, a black moustache, a red scalloped line design and a black line curving from the nostrils to the chin, and a blue scalloped design under the mouth. The remainder of the face is painted white. A tuft of feathers affixed to a tapering wooden stick with blue string and off-white adhesive fabric tape (b) fits into a hole at the top of the mask. A pencilled in design is visible on the cheeks.

Mask with protruding cylindrical eyes that are moveable. The mask is painted with heavy black eyebrows, red nostrils and lips, a black moustache, and the cheeks are emphasized with red painted designs. The remainder of the face is painted white. Cedar bark fringe extends down back past the bottom of the mask.

Wooden mask adorned with cedar bark fringe at back that extends down past the bottom of the mask. Face is carved forward with a strong downward slant. There are two deeply carved ridges running from nose to temples that are accentuated with black lines. There are heavy black brows at the top of the face, a scalloped design in black below the cheeks, a dark yellow hooked nose with red nostrils, pursed protruding red lips, and a slightly pointed chin with a short horse hair beard. A feather with a long shaft protrudes upwards from one side and there is a bunch of white, grey and grey-brown feathers attached to a pointed piece of wood with adhesive fabric tape (b) and inserted into a hole in the top of the mask. The edge of the mask on the sides of the face and chin is painted brown.

Long, wooden feast dish carved in the shape of an animal, with a deep, oval shaped bowl in the middle. The tail is paddle shaped and curves downward to join the body; it’s legs are carved in relief against the body, the feet support the bowl. An abstract design is painted on the tail. The exterior rim of the dish is painted with a continuous pattern of alternating opposing pairs of white semicircles with inset green triangles. Both sides of the object are painted with a large human face with a downturned mouth - the face is outlined in blue on a white background. Has been badly broken, and repaired.

Mask (a) made from two pieces of wood joined down the centre of the mask at an angle and supported by a triangular piece of wood at the top. The mask is painted white with heavy black eyebrows, light blue around the circular eyes with a red and blue design element at the temples, red nostrils, a black scalloped design that arches over the cheeks from the nostrils to the chin, a black moustache, red lips, and a black line under the lower lip. A tuft of off-white and brown feathers, some of which are painted blue at the tips, are attached to a wooden stick with blue string and adhesive fabric tape that has been painted blue (b), and the tuft fits into a hole in the top of the mask.

Mask (a) depicting a flat face with slightly pointed chin, the area around mouth slightly recessed with protruding red lips. Painted with heavy black eyebrows, blue around the eyes, and red on the nostrils. There is a black painted moustache, a scalloped design in black and red around the mouth area, and a black u-shape with two white circles beside the eyes. The remainder of the face is white. Two bunches of grey, brown and white feathers secured to two wooden sticks with blue string and adhesive white fabric tape (b and c) fit into two holes in the forehead.