Silkscreen print on paper. The image is a monochromatic linear sketch from which emerges the image of a woman in movement, among suggestions of fish and birds.

Silkscreen print on paper. The image shows monochromatic sketches of 9 spindle whorl designs in a variety of sizes, each with a different motif. Sketched lines run through several of the designes, which float on a light brown-yellow background.

Silkscreen print on paper. The image shows a collection of 8 small oblong shapes, each with a different motif including human faces and birds. Sketched lines connect several of the oblongs, which float on a lightly shaded background.

Tall, double-sided, three-dimensionally carved vertical panel on stand. Killer whale and crocodile themes; one side is inspired by coastal Salish themes/imagery, the other side is inspired by Sepik River (Papua New Guinea) themes and imagery. Made of cedar, walnut and rosewood with ebony inlay.

Silkscreen print on light tan paper. The artwork shows, in a rust brown, a central conglomeration of salmon and their predators, such as birds and wolves, in a stylized linear style. The image is bordered by a thick line of black and tan motifs in ovals, sickles, thin lines and curving triangles.

Silkscreen print on square white paper. The central, round artwork is a series of concentric red circles and grey squares with increasingly intricate motifs of triangles, circles and sickle shapes in white. The whole is bordered by a thick black ring.

Intaglio print on white paper. The central, round artwork is a line drawing showing a brown, front-facing, seated bear, toes together, knees raised, holding a large green frog with stylized features, its back to the viewer. The snouts of the two are in contact. The background is a pale yellow.

Silkscreen print on white paper. Central round artwork depicts the profile of a large white and grey bird in flight, black and grey wing pointed down and emerging slightly below the circle of the image. A human face in profile can be seen in the top line of the wing. The bird flies in a blue sky over the white ridged, black mountainous outcropping of Black Tusk, in British Columbia’s Coast Mountain Range.

White wool weaving with long fringe attached to sides and bottom edge. The fringe is predominantly white, with pairs of long dark brown fringe spaced evenly throughout. Six rows of designs across entire surface; done in dark brown. From top to bottom, the designs are: plain thin line, wide line trimmed with thin ones on either side, wide vertical zigzags, checkered pattern with rectangles throughout, wide vertical zigzags, and wide vertical zigzags. Bottom edge bordered with band filled with chevrons.

Bentwood box (part a) with separate lid (part b). Softly curved walls of box are attached to square base with pegs and adhesive; sides of base are painted black. Bird motifs painted in red across front and back of box, made up of formline design elements; other formline motifs painted on left and right sides. Sides of thick lid are painted black, rest is undecorated; lid has a short inset lip. Artist signature and date made written and incised on base of box.