Large glazed white clay mug with Raven design (#12) painted in black and pink. Made at Lambert Potteries.

Colourful wooden mask with two long ear panels and a red crested headdress of plant fibre. The red painted face, tattooed in yellow and black, is triangular-shaped with round shell eyes placed into the hollow eye sockets. The large mouth has two boar-like teeth amongst the smaller ones. From each nostril, a ring or band connects to the spotted ears, into which are carved a crested bird (rooster?) with shell eyes, a yellow and black snake and a small red flying fish. The headdress has an interior frame of rattan onto which are tied leaves and fibres.

Glazed dark brown, white clay bowl with small ring foot. Rim edge and ribbing on the side are a lighter brown.

Carved wooden hair comb with a frog design perched on a rounded crossbar from which the teeth of the comb descend. The frog sits between two sides of a raven' s head whose long beak stretches upwards to a tip. The rear of the frog can be seen from the opposite side. Held in the raven' s beak, and following its length is a humanoid figure whose arms and legs are clearly visible at the sides of the beak. The humanoid head with prominent eyebrows projects, rather mask-like, from the tip of the beak. Along one side of the raven' s beak the words Queen Charlotte are visible.; Good.

Rectangular basket with lid and strap. The decoration on the basket is made from dyed straw, and has the initials C.H.P on one side. The strap is red and green, made from wool, and has leather strips attaching it to the basket. European influenced.; Good

Commercially produced Robert Davidson print on a card in red and black on white background, depicting a bear design. The print illustrates a front view of the face, which has been split symmetrically down the centre. The face shows large, red nostrils and an open mouth with the teeth visible. In both top corners, there is a claw design with ' ovoid' socket. At bottom centre is a circular design, with thin yellow border, in very pale pink. It depicts, on smaller scale, same basic face design, but with protruding tongue. The silkscreen print the card is produced from is known as ' Bear Hugging the World' . Silkscreen prints are a recent development in Northwest Coast Native art, but they incorporate traditional design techniques and subject matter. The prints are often given away at potlatches as gifts from the host to the guests. Prints are also sold commercially to non-Native buyers. This card was designed by Robert Davidson, a Masset Haida artist. The design was taken from a silkscreen print, and used as an invitation to a Potlatch in Masset, hosted by the artist in October 1986. The card was only produced for this purpose, and represents a form of potlatch print; Complete

Commercially produced Robert Davidson print on a card in red and black on white background, depicting a bear design. The print illustrates a front view of the face, which has been split symmetrically down the centre. The face shows large, red nostrils and an open mouth with the teeth visible. In both top corners, there is a claw design with ' ovoid' socket. At bottom centre is a circular design, with thin yellow border, in very pale pink. It depicts, on smaller scale, same basic face design, but with protruding tongue. The silkscreen print the card is produced from is known as ' Bear Hugging the World' . Silkscreen prints are a recent development in Northwest Coast Native art, but they incorporate traditional design techniques and subject matter. The prints are often given away at potlatches as gifts from the host to the guests. Prints are also sold commercially to non-Native buyers. This card was designed by Robert Davidson, a Masset Haida artist. The design was taken from a silkscreen print, and used as an invitation to a Potlatch in Masset, hosted by the artist in October 1986. The card was only produced for this purpose, and represents a form of potlatch print; Complete