Backstrap loom carved from single piece of wood, with arms extending out to each end. Ends are carved and incised and have 6 holes in each. Both ends are missing the tip, where a seventh hole used to be.

Black coloured cuffed metal bracelet with tapered ends that join together at the back by a latch and cut-out rectangular hole. Design is carved in relief on the outer surface of the bracelet.

Silkscreen print. A red, baby blue, and black seawolf design. The main head is in profile facing to its left with a circular part behind, and above along with a fin-like shaped part below, and at the back. The figure's upper right limb has the shape of an enclosed three digit paw. The body is curving inward. Pencil inscription along the bottom edge; 69/75. The print is on vertically rectangular, yellow-white paper. (Hinged to larger matboard.)

Tapered, convex, white-yellow bone segment bound on both ends with brown hide. Tapered end has an extra hide flap with a small hole pierced through it.

Rectangular, dark green cotton loincloth with numerous vertical and horizontal rows of shells. There is a cylindrical shape piece of wood running through the top edge with thin brown twine holding the wood in place. The cloth is undecorated on the underside.

A piece which has wood sticks attached to each other with metal wire. The wood sticks are curved around to make a conical-like shape with one end larger than the other and then tapering down to a smaller end. The piece is covered with seventeen horizontal rows of cowrie shells and one vertical row of cowrie shells at the larger end.

Large, wooden ladle. The long handle is incised with a triangular grooved pattern. The end of the handle is rounded, with a triangular point protruding from the bottom of the rounded tip. Ladle part is undecorated.

Belt made of between twenty and twenty-seven strings of predominately red beads. Strands are strung through ten vertical bone strips, breaking the strands into nine sections--sections on the ends have the fewest strands, with progressively more being added to each section moving towards the central section, making the belt wider in the middle than at the extremities. Ends are tied off with brown string, one end forming a loop, the other having a circular piece of bone attached to it.

Woman or girl’s multicoloured, short-sleeved, blouse front. Dense, bold geometric motifs, embroidered in silk and cotton thread, cover the entire surface of the garment, and in most areas completely hide the ground textile, which is made of red cotton. The shoulder area is defined by large floral designs; below the armholes the motifs form an apron effect, with a wide border at the hemline and along the side edges. Mirrorwork, white rickrack and red beaded pompoms are incorporated into the design overall. At the neckline there is a straight, centre-front slit, decorated with triangular dark grey tabs with tie-cords. Tie-cords are also located at the back of the neck. At the back of the shoulders, plain panels of dark red cotton textile are attached. Sleeves are extensions of the shoulder pieces. Sleeve edges and the hem are bound with strips of plain cotton textile trimmed with decorative machine stitching. A label made of off-white cotton textile, printed with a rubber stamp, is attached at the neck edge on the front with a loose running stitch.

Part a: loom with weaving and poles; part b: top wooden piece; part c: bottom wooden piece; part d: wooden peg; part e: knotted piece of string. The thick wooden upper piece (part b) and lower piece (part c) flank a row of fine wooden slates with a piece of white, red and blue weaving in progress (part a). The threads continue beneath the lower piece and are wrapped around eight poles.