Humanoid face mask with long brown hair glued into twenty drilled holes in the upper rim. Split red u along with an ovoid and a diagonal form line design on the forehead. Pointed downturned eyelids. Hollow tapering semi-oval red eyes are surrounded by a green area above connecting across the bridge of the nose in between and over to the right side of the mask. Red ears. An eight red rounded point design surrounds the mouth and extends on to the cheek area and the nose. On the reverse, there are six holes on the upper rim, hair and glue in two holes. Small piece of wood glued between the mouth and the nose at the back. Two holes are drilled into each side of the mask at eye level while a length of string passes through the holes and is tied.

Clayoquot wild man face mask that has fur nailed and glued to the upper rim and to the protruding eyebrow ridge, end fur on eyebrows melds with the fur on the rim. Three semi-circular grooves on the forehead. Two shorter grooves extend from the upper rim to the eyebrow ridge. Hollow semi-oval eyes. Three semi-circular grooves on each cheek. Hook nose with black nostrils. Light wash of green paint on the forehead, the eye area, the cheek, and the nose. Mouth protrudes in a pursed-like shape with black lips. Pointed upturned chin. On the reverse, there are two metal 'eyes' screwed at eye level while a leather strip is tied to one eye. Signed 'Clayoquot Wildman J. David 80'.

Black, white, and red wild man mask that has thirty-two holes drilled into the upper rim with strands of brown hair glued into each hole. Black dome-like forehead. Hollow circular eyes are surrounded by a sunken white eye area that extends downward into the nose that has curling hollow red nostrils. Wing-like white cheek ridges meld with the nose and terminate at the protruding upper lip. Upturned pointed chin. Pursed-like hollow open mouth outlined in black while the lips and the interior of the mouth are red. On the reverse, there are two metal 'eyes' screwed in at the sides of mask at eye level while a leather strip passes through both eyes and is tied. Signed 'J. David 84'.

Red and black eagle spirit mask that has white fur on the top rim and the eyebrows. White fur 'hair' consists of many small pieces of fur sewn together and then nailed to the top rim and the brow ridge. Dome-like forehead has form line design beginning at the brow on the left and extending diagonally across the forehead to the top rim on the right consisting of two red split u's. Solid diagonal black line on the left of the forehead extends from the side to the top rim. The cut out circular eyes are red surrounded by a black area. The black nose is hooked. Raised cheek ridges. On the left, there are two diagonal lines, one narrow and the other wide, extending from the cheek ridge to the lower rim. At the side on the right, there are two diagonal lines, one wide and the other narrow, extending from the lower rim through the corner of the mouth to the end high on the side rim. Open mouth with twelve white shell teeth, teeth glued on to a leather strip which is nailed to back of mouth opening. Chin is slightly raised. On the reverse, there are two metal 'eyes' screwed in at eye level.

Bronze representation of a Northwest Coast human face mask, attached at a 45 degree angle to a black with white speckled stone base by two bronze screws located on either side of chin; screws fit into holes drilled into base; hammered finish; uneven dark patination. Face is finely defined except eyes, brows clearly delineated, convex eyes, flat nose with defined nostrils; prominent mouth with continuous lip band. On reverse, signed J. David.

Silkscreen print. A dark blue design consisting of a stylized sea-wolf. The human-like head is in profile facing to its right with a wolf-like head on top in the same direction. The figure’s upper right limb has the shape of a downward pointing fin while it’s upper left limb has the shape of an upward facing five digit paw. The figure’s lower right limb has the shape of a whale tail which is extending into the body of a whale as part of the body of the main figure. The figure’s lower left limb has the shape of a downward pointing four digit paw. Pencil inscription along the bottom edge; #8/26. The print is on vertically rectangular, white paper.

Unpainted, v-shaped natural branch with one pointed end; the other end is encircled by a thicker band. Worn groove in the v-shape.

Blowgun of natural light brown wood. Wide metal lance-olate blade lashed to muzzle end with worn braided binding and five sets of rattan. Shaft tapers from mouthpiece to muzzle. 1.1 cm. wide hole at each end. Pith at centre is bored with a very small hole (slightly curved) for darts.

Blowgun of natural dark brown wood. Thin metal lance-olate blade lashed to shaft with four sets of rattan binding, the lowest one of which is wrapped around four times while the middle two are wrapped around twice and the top one is wrapped around multiple times. Muzzle is plugged with pandanus leaves. Shaft widens slightly from muzzle to butt end, where it flares to form mouthpiece. Mouthpiece slightly concave; hole at centre (0.9 cm.) edged with red wax. Pith inside hole with small hole bored through length.

White cotton blouse with woven panel. The blouse has a rectangle shape with a round neck and no sleeves. The front and back are divided into three vertical panels by blue herring bone stitching. Across the upper front and back is a t-shaped woven panel (2-faced, supplementary weft). The panel has large pink and orange flowers and green leaves on brown ground with a multicoloured square border. Around the neck are black triangles and on the shoulders are appliqué black circles. The inside is unlined.