Cast bronze Ibis head with a wooden base. This figure only consists of the bird's long, curved neck and head. Deep lines delineate the beak and the eye, as well as the lower lid of the eye. There is a groove running from the crown of the bird's head to the tip of the beak. The surface of the sculpture is pitted and covered in green bronze accretion.

Cast bronze figure of the deity Hor-Sma-Tawy or Horus-Uniter-of-the-Two-Lands. The figure is wearing a tall, flat, three-pronged headdress. The bottom portion of the headdress includes a striped head cap with a gold-coloured head band, a thick side braid, a braid down the figure's back, and a side panel that extends down over the left shoulder. The figure is standing with its left foot forward. Its left arm is hanging straight while its right arm is bent at the elbow with its index finger touching the mouth indicating it is the child Horus.

A fragment of a fresco painting, mounted in a clear plastic frame. The composition consists of a man and a woman seated beside one another. The female figure is holding the right arm of the male figure. The right side of the composition contains a small table, which is supporting a yellow and red vessel, as well as a lotus flower in a small vase. The male figure is holding the blue stem of the flower. The colours were derived from natural pigment, and the fresco is in stable condition.

Small faience amulet of a draped male figure. The figure is a greenish buff colour and the details within the piece are well preserved. The hair has been incised for texture, and strands of the hair fall in front of the shoulders. A belt has been included below the figure's navel, and the figure is wearing a skirt. The legs of the figure are connected to the drapery in back, yet are identifiable. The figure's hands are closed.

Small marble fragment of a sculpture, depicting a hand holding a discus or patera. The line of the original break can be seen along the bottom of the wrist. One side of the discus or patera is supported by four fingers and the reverse side is supported by the thumb.

A single square of mosaic glass made from red, grey, black, and white glass canes that have been arranged to create a diamond shape.

Open and shallow bronze vessel. The bowl of the vessel contains three raised concentric circles. The lip of the vessel is folded with a subtle carination. The bottom of the vessel has a short ring foot with five raised concentric circles. It appears as though the bronze was hammered.

Small cast bronze horse with a thick, long tail and hollow body. The object has a circular opening in the centre of its back. Each pair of legs are joined at the ankles. It is difficult to distinguish the individual legs, and the object contains few details in general.

A black sculptural fragment of a female torso. The torso is intact but the head, lower portion of the legs, forearms, and hands have broken off. It is evident that something was also attached to the top of the figure, suggesting that this object may have been a cosmetic spoon, or the handle of a vessel of some sort. Both sides of the figure have been carved, and incised lines have been used to delineate legs and various body parts.

Hollow terracotta figure of a veiled woman on a mule made from a mould. The mould includes a full base which fills the gap between the mule's legs. Incision was used after the mould was made to add detail to the piece. A large square has been cut out from the side of the mule, below the back of the female rider. Some burnishing is visible and the use of pigment is evident near the animal's hindquarters.