Monochromatic stonecut print on paper. Four figures stand facing forward, the three young men wearing hooded sweaters with images of ducks or seals on the front, and a woman wearing a parka with a long front panel. The face of a small child peaks out of the hood beside the woman's. All wear short pants over tall boots. The right-most figure raises his left hand in a wave.

Stonecut print on paper. A large sea bird fills the picture plane, with a large head, pointed beak, and round open eye. The wings are small and rounded, pointed downward. The bird is in three colours: black head and beak; dark blue back; and yellow-green body, neck and wings. Uncoloured areas of the background show through on face and stomach.

Sealskin stencil print. On a white background are the black silhouettes of two male figures in parkas, with peaked hoods. Figures stand with legs slightly braced, arms outstretched, fingers joined. Above their hands is a three-headed goose motif in black and shades of brown.

Stonecut print on paper. A large green-blue bear stands on all fours, with a long, slightly curved head and snout, a partially closed eye, and small ear at top. The animal's rump is exaggerated, large and round, along with wide front and back legs. The bear's fur is shown as textured with tiny triangular marks across the surface.

Stonecut print depicting a large polar bear being pursued by a wolf, a hunting dog and a male hunter. The hunter wears boots, pants and a hooded parka and carries a spear. To the right of the hunter’s head are four stamps. Two of these stamps are red with the top stamp perhaps depicting an eye. The bottom two stamps are black; one of which is more faded than the other. Inscription: "Chasing the Bear stone cut #40/50 Cape Dorset N.W.T. 1961 Eegyvudluk" runs along the bottom of the image.

Print comprised of ten birds, three adult human figures, one small sea creature with hair braids and hands outstretched downwards, and three animals interspersed. Bottom reads; "Complex of birds stonecut 31/50 Cape Dorset Baffin Island 1960 Kenojuak." Stamped with names of artist and printmaker in Inuit syllabics in monogram form with Cape Dorset igloo stylized in top left corner. The print is hinged to white mat board.

Print depicting four figures: two walruses, a bear/walrus figure, and a human/walrus figure. Below image is written, "4/50 Eegvudluk" and "#48" in the bottom left-hand corner.

Print depicting a dog figure in profile with a forward-facing smiling face, and its tail raised. There is a hole in its belly near the back legs with two pups in silhouette. Below the image is written, "Dog of FERTILITY Sealskin Stencil 7/50 Cape Dorset N.W.T. 1961 Eegyvudluk." Stamped with the names of the artist and the printmaker in red Inuit syllabics in monogram form with the Cape Dorset stylized igloo and the Canadian Eskimo Arts Council logo in black underneath.

Print depicting a shared animal body with different animal heads emerging from the sides: starting from the bottom left is a dog-like head and body, a walrus head, a pair of boots with a somewhat circular shape that has two eyes and a mouth(?), and two unidentifiable head forms with a human form at the very top that has outstretched arms and legs. Below the image is written, "Totem Stone cut 8/50 Cape Dorset 1961 Egyvudluk. The name of the artist and the printmaker is printed in monogram form with the Cape dorset stylized igloo seal near the top right-hand corner.

Rectangular shaped print detailing a large hawk with open mouth, extended wings and open claws. The hawk has brown wings, light brown body with a central white patch, black tail feathers and yellow talons. Below image from side on left: "Hawk stonecut and stencil 86/200 Dorset 1977 Peter Pitseolak"; stamped with names of artist and printmaker in Inuit syllabics and Cape Dorset stylized 'red igloo' seal. Canadian Eskimo Arts Council's blind embossed stamp in lower corner on right; portfolio stamp in lower corner on left.