Dagger with a bone blade and packed mud face on top; bone is concave on front and convex on back. Face is made with black mud and has large rounded ears, a curved nose and open pouting mouth; mouth is outlined with red pigment(?). Eyes are inset cowrie shells; short, pointed bones stick out of nostrils with an additional curved bone protruding from left side of nose. Face is covered with small inset cowrie shells, with strokes and spots of white pigment throughout. Long cassowary feathers attached to top of head; small amount of grey fibre surrounds mouth.

Carving of a female figure standing on an oval-like base (part a). She stands with her feet shoulder width apart, hands at her hips; depicted wearing a grass skirt and assorted jewellery made of twisted fibre and circular shells(?). Her face has linear and curvilinear designs painted across it in white; eyes are inset cowrie shells. Hair is black, with a white band painted underneath. Large hornbill sitting on top of woman’s head; neck is extended with head tilted back. Head and neck of hornbill are yellow, rest of body is black; eyes are inset cowrie shells. A crocodile, balanced on its tail, supports the back of the female figure; painted black. Two snakes stretch from her shoulders and have their heads resting against the base; done in black with white and orange stripes. All animals have intricately carved features; hornbill has additional curvilinear designs. Top of base is a light orange; sides have a channel carved into them, with ovals carved in relief throughout. Donor tag attached to snake on right side of base. (Left wing has broken off hornbill, part b.)

Wood mask depicting a bird woman. Face is heart-shaped with prominent brow and cheeks; sharp nose bridge divides face. Eyes protrude outward at an angle and are made of three tiers. Top of nose bridge is coloured with orange pigment; bottom half is covered in dark clay with small inset cowrie shells along the edges. Larger cowrie shells decorate centre of bridge. Below clay, crooked beak extends downward, covering chin. Same clay and cowrie shell design along bottom edges of mask; top edge is coloured with orange pigment. Mask is surrounded by an oval-shaped frame, wrapped in plant fibre; frame and mask are attached with rounded triangles, made of identical material. Woven into the frame are curved feathers; feathers are a mix of black and shades of brown. Mask back is flat.

Painting on a rectangular piece of slightly warped bark; depicts a spirit figure. The background is painted orange-red, figure is beige and wearing a wide-brimmed hat and full-body suit. Face of figure is rectangular, and has black eyes and a wide frowning mouth. Arms are held up and knees are bent, with feet turned toward one another; figures spans entire bark piece. Both hat and suit have an alternating stripe pattern, done in red, white and dark yellow; stripes are made up of cross-hatching. Cuffs, neckline and centre of full-body suit have beige bands with red dots throughout. Identically patterned beige bands extend from elbows and connect to knees; two striped bands extend from bottom edge of hat and connect to feet. Rectangle protrudes from bottom of figure's body and has two beige points along the bottom edge; rectangle decorated with the alternating stripe pattern. Back is undecorated; inscriptions written across surface. (Hanging hardware attached along top centre edge.)

Narrow, oval-shaped plaque-like mask depicting two faces and bird; made of wood and coloured with orange pigment and dark brown stain. Face on top of mask is small and carved in relief. Face is oval-shaped, has a long thin nose, pronounced pouting lips and wide chin; long ears on either side of head. Depicted wearing a headdress. Beneath, bird is carved on its belly with the beak just below the chin of the face; wings are spread, touching either side of the plaque. Tail extends down between the eyebrows of the large face on the base of the mask. Face is thin and tapers to a rounded chin; face not carved in relief, only facial features. It has wide eyes, a long thin nose with large nostrils and bared teeth. Long thin ears on either side of head. All figures have cowrie shell eyes. Negative space between the figures and sides of the mask are filled with circular and geometric motifs. Sides of mask have a channel carved into them, with ovals carved in relief throughout. Plant fibre looped tie at top, on back of mask; mask back is concave.

Carving of a lizard, done in high relief, on a short cylindrical pole; undecorated base extends from bottom. Pole is stained dark brown; lizard is a matching colour, outlined with dark red pigment. Majority of lizard is on front of pole with its legs wrapped around the sides; tail touches base and triangle-shaped head is close to top edge. Alternating stripes of white and dark yellow dots decorate surface of lizard. Eyes and nostrils are white; both are oval-shaped. Top of pole has a band circling it, made of shallowly incised lines.

Conical corroboree dance hat made of bark; exterior is completely wrapped in green-grey rope-like fibre. Front is decorated with a wide, vertical orange band, bordered with two white bands; small feathers throughout bands. A wooden rod is inserted through the top of the hat and has a large bundle of emu(?) feathers bound to it; feathers held in place with white strands, rod secured with white pigment along hat interior. Feathers are a mix of grey and dark brown.

Painting on a rectangular piece of slightly warped bark; likely depicts the entity Wintjili. The background consists of black and brown-red stripes, of varying widths; blocks of dark yellow throughout stripe pattern. Outer edge of painting is trimmed with white bands filled with black diagonal lines, dark red vertical lines, and black and dark red dots. Figure spans entire bark piece, arms are held up and knees are bent; hands and feet are beige, face is decorated with black and maroon bands, made up of cross-hatching. Head is oval-shaped; white circular eyes frame a large, beige triangular nose, maroon dots across nose. Figure is wearing a full-body suit with an alternating stripe and chevron pattern, done in maroon and dark yellow; patterns are made up of cross-hatching. Dark yellow band runs down centre of suit, alternating sections of black and white dots throughout. Edges of suit are trimmed with white and maroon dots. Semi-circular shapes protrude from either side of chest, underneath bent arms; done in orange and decorated with white striped bands. Additional white bands decorate background, filled with black and maroon dots. Back of painting is undecorated; inscriptions written across surface. (Hanging hardware attached along top centre edge.)

Mai mask consisting of a long and narrow face. Mask is made of wood and is covered in small white shells inset in dark brown-black mud. Area around eyes and nose is plain wood and coloured dark orange. Eyes are made of inset cowrie shells, highlighted with black paint. Sharp nose bridge runs through centre of face. Nose has orange nostrils with black highlights, before extending into a snake that protrudes past the chin; raised design elements on snake's face. Round shells, with swirls in their centres, inset in the centre of the forehead and below the nose, on either side. Plant fibre cord runs around bottom edge of mask, with twisted fibre strands attached, imitating a beard. Additional fuzzy fibre on top of head, imitating hair; inset cowrie shells border bottom of hair. Top half of mask back is concave; bottom half is flat. (Hanging hardware on back.)

Woven breast ornament shaped like an inverted triangle with a naturally coloured, braided cord extending from the top; rest of ornament is coloured with orange pigment. Eight boar tusks extend from either side of the ornament; first two are pointed up, rest are pointed down. Additional boar tusks are threaded through a loop in the front centre of the ornament, pointed down. Woven protrusions extend from either side of the ornament, below the fit set of tusks; protrusions are thin rectangles with rounded ends. An open oval-shaped protrusion is woven underneath the central boar tusks. Above the central boar tusks are two cowrie shells, attached horizontally; a line of vertical cowrie shells extends from below the woven oval to the bottom of the ornament. Loop attached to bottom edge; back is undecorated.