Figure depicting a standing naked male with his legs crossed, one foot resting on the other. His left hand is on his hip, and his right hand extends down his side to hold a triangular object, which he leans on. There are two small round indentations on either side of his head.

Figure depicting two monkeys and two bats carved from one piece of light greenish-brown and dark brown stone. The larger monkey is standing erect and holding a coconut-shaped object in its left hand. The two bats are to the monkey's right. The figure of the smaller monkey is lying below the leg of the larger one.

Napkin ring carved from one piece of wood with a centre band of curved bulge and a lip at each rim. "Jerusalem" is printed on the centre band.

Match box composed of: a) a box with a rectangular base and two sides that slant inwards to a curved top, each with a recessed oblong, and into each is inset a piece of sandpaper; b) a removable rectangular wooden insert that sits in slots in the top and bottom of the box. "Jerusalem" is painted in ink in gothic script on one face of the box.

Cross composed of wood and metal with a narrow metal stem with a wider sphere at its centre and a circular three-tiered metal base. The arms of the cross are ornamented with metal bands of bas-relief geometric decoration as well as two ornamental fan or floral decorative elements at the inner corners of one side. The corners of the cross are emphasized by red glass beads, as are the ends of the arms and the tip of the cross. The wooden centre of the cross depicts a crucifixion on the face and two figures on the reverse, both carved in bas-relief.

Wooden box with a hinged lid that has a small hook fastener at the front. The outer pieces of wood that form the box are interlocking. The centre of the box contains a glass cylinder shaped ink well with a sprung leather(?) circular stopper on the inside of the lid. "Jerusalem" is written in black ink on the top of the lid.

Large trunk. Front feet carved as claws; front of trunk painted black. Elaborately carved detail on front of trunk, plants, flowers, vines, and a lion on each side of center. Key hole at center top. The lid is plain except for a black painted border, sides also plain with black border. Metal handles on each end. (The tunk is part a; part b is the key.)

Small vial composed of a concave ring foot, a bulbous body, a cylindrical neck, and four vertical ribbon handles placed at the junction of the neck and the body. The body and neck are decorated with raised lines arranged in patterns.

Small yellow-buff jar (amphoriskos) with two handles. The jar is made of very fine-grained light clay, hard-fired with a few small dark grits and white limestone particles. The broad body sits on a ring foot with a short pedestal. The shoulders slope in sharply to a short wide cylinder-shaped neck and a wide mouth with flat, slightly everted rim. The two flattened strap handles are attached to rim and shoulders. The designs are brown-black matt paint mottled in the interior to a dark red-brown. Decoration consists of six thin concentric lines on lower half of body and a broad band around bottom. There are two narrow bands on neck and three on flattened top surface of rim. The foot, handles and inside of neck are solid brown.

Clay dish consisting of red clay with a cream slip. Coarse-grained clay with a few small white limestone particles, a very large quantity of dark grits, giving the surface a very speckled appearance, and a small amount of fine silver mica. Red-brown and grey-black thin matt paint. Very low ring foot, gently curved wall, two small horizontal handles attached to rim. Decoration on the interior consists of two bands of paint on the wall and a spiral starting from a large dot in the centre. The line gets progressively broader towards the outside. Rim and handles painted black. On exterior wall the decoration is more elaborate consisting of red and black bands of varying width and spacing. Bottom of ring foot is decorated with crosshatched lines.