Bentwood cedar box with red painted corners and lid. The lid has a red painted geometric design on the top.

Model pole with a thunderbird on top and a masked human at the base. The bird on top has wings pointing upward, in black, red and green; a large yellow beak and feet; two small vertical black ears, green around its eyes and a red mouth. The human at the base is in a kneeling position and has bear claw hands in black outline, a red-brown body, a mask-like face with bright green across the eyes, red on the nose and mouth, and black painted hair on top. The middle section is rounded and painted in two shades of green. The pole is attached to an unpainted, square wooden base, with nail heads showing on the bottom. Artist name and date written on the back of the bird, in black, under the wings.

Large lidded wooden chest. The exterior of the chest (part a) shows finely grooved texturing on surface. Each panel has borders at all four edges, with fine, vertical, parallel lines throughout the centre. Five parallel grooves run horizontally along the upper and lower edges of the chest, with diagonal grooves down each adjacent corner. The corners and base are secured with root-like(?) ties, wood pegs and nails. The exterior has a dark brown-black colour. The interior of the chest shows carving tool marks. There is a rectangular piece of wood along the interior, bottom edge of one side panel. The lid (part b) is flat on underside, with an upright ridge along the long front and back edges. The side edges are also carved with fine vertical parallel lines. The lid is composed of three pieces of wood pegged and nailed together. The underside surface of the lid is covered in carving tool marks.

Beaded belt with flap and long beaded neck strap. The belt is composed of two long rectangular strips of hide overlaid with red wool trade cloth that attach to a wide rectangular section of hide at centre. The two strips attach at the back with two mismatched metal buttons. The front section has a flap with red wool facing out, and interior lined with a burgundy with brown floral fabric. All edges finished with blue binding and edged with white beads. The strap is composed of two long pieces of red wool back with beige fabric attached at the neck. The strap has four matching beaded designs in light blue, light brown-yellow and black. The belt flap has three similar sun-like designs in a row in black, white, light pink, light blue, dark blue, and yellow-green. Two more mirrored beaded designs are on each hip in light blue, navy blue, light pink, violet and dark green.

Beaded bag composed of a long, thin shoulder strap and long semi-circular hide pouch, overlaid with red wool trade cloth and brown fabric. The front is stitched with a red and white checkered panel and flanked top and bottom two abstract designs in blue, clear, white, and black glass and seed beads. Edges finished with brown binding on the bag, and black binding on the strap. Edged overall in white pony beads.

Heavily beaded bag with long beaded neck strap. The rectangular pouch is heavily beaded with white and navy blue designs. The opening has a band of red wool trade cloth, hemmed with a dark yellow-green stitched trim, and is lined with white beads. Beaded design on front and back in clear, dark blue and light blues beads. The bottom of the bag is a flap, with red wool trade cloth on the exterior, lined with beige with black and red floral patterned fabric on interior. The strap has a continuous design in white beads down the centre.

Beaded dagger sheath composed of two layers of dark brown corduroy, the bottom layer about an inch longer at the open end, with sides sewn together. Interior lined with a beige fabric. A wide strap is attached at open end of the sheath. Composed of five pieces of brown fabric (two sets of two matching, and one different) and is decorated with four matching beaded designs in white and sky blue. The back is lined a dark blue fabric on each end. All sides of the strap and sheath are hemmed with a stitched trim. Most sides are further decorated with white beading in a subtle zigzag.

Y-shaped iron dagger with a thin wrapped handle. Dagger has a long tapered blade, which changes angles towards the tip, coming to a point. The back of the blade is flat. The narrow handle is wrapped with a thin strip of leather, and splits at the hilt creating the overall Y-shape.

Small bag composed of a long shoulder strap and long semi-circular hide pouch. Pouch overlaid with brown wool trade cloth and decorated with a beaded checkered panel in dark blue and clear, flanked top and bottom by beaded abstract elements in light blue, red, dark blue and clear. Edged in white beads.

Watercolour painting depicting Fort Simpson and the village of Lax Kw'alaams. The image shows a coastal inlet with Tsimshian village houses built all around the shore, along with a large fort on the left, with "H.G.Co. S FORT" hand-printed on its wall. In the foreground there are two Tsimshian people sitting on the ground holding the end of a bird trap that runs to the right of the foreground, with two birds near the trap itself. Most of the houses have blue smoke coming out of the smoke-holes. There are canoes pulled up along the shore, as well as two in the water. A large rigged sailing vessel is anchored inside the inlet. Hand printed on the front lower right corner is "FORT SIMPSON .B.C. in 1831. Drawn by Frederick Alexcee". In the background, in the water, is a steamship with a plume of black smoke coming out its pipe. There is one settler-style house in the background on the left, behind the fort. A green mountain range runs across the horizon. The painting is on thin, somewhat flexible board.