Sidney Gerber purchased this owl mask from Willie Seaweed shortly after it had been photographed, worn by Joe Seaweed, in the film Dances of the Kwakiutl (Orbit Films 1951). As seen on the museum wall the round bulging eyes set in flaring blue-green sockets and the fierce hooked beak dramatically express the character of the nocturnal bird of prey. When it is worn in the dance, the bird gains life. The mask is bold in its conception and execution. Made perhaps fifty years ago by George Walkus of Smith Inlet, it represents the artist's style at its most expressive. The painting in black, red, green, and white follows the carved features and elaborates the cheeks in typical Kwakiutl fashion. (Holm, Crooked Beak of Heaven, 1972)

Worn by participants in the Tseyka, these neck ring ornaments in the Burke Museum collection consist of a set of three carved and painted wooden plaques, representing the tail and flippers of a whale. There may have been a fourth piece representing the whale's head in the set. They were probably sewn to a rope-like ring of dyed cedar bark, perhaps 18 cm in diameter, which could be conceived of as the body of the whale. The bifurcate tail with a humanoid face for the joint hangs down the back of the wearer, while the two similarly decorated flippers stand out to the sides of the chest. (Holm, Crooked Beak of Heaven, 1972)