Model pole carved of whale bone; eagle at the top, perched on a human, crouching on a spirit figure. Eagle's wings are folded at sides, with its chest pushed outward. Human has large eyes, wide nose, and open slit mouth; tongue is sticking out. Elbows are bent, resting on knees, and hands are curled forward. The spirit figure has wide eyes, hooked nose, and claws. Eyes, relief designs, and background areas have been coloured black (ink or paint?). Pole attached to rounded base with metal screws; scallop pattern around bottom edge of base. Back of pole is smooth and slightly concave; artist name, place, and date made inscribed on back.

Model totem pole. From top, the carved figures are: double bird head's, large bird (with missing wings) and large seated human figure.

Off-white t-shirt, made of imported cotton, with the logo "Zimaz Kreol" (I love Crelo) printed across the chest; text is done in red and outlined in black. Back of shirt has a large screen print of a woman carrying a woven basket of apples and pineapples on her head; woman is black and wearing a red dress with pink dots, and a red and white checkered head cloth. Print is rectangular and has a blue background, with green and yellow palm fronds, and banana plants throughout. Designer, Sunstroke Studio, and place made, Seychelles, printed underneath design.

Traditional style harbour canoe. The designs painted on the outside are Thunderbird and Killer Whale, with a black background.

Large lidded wooden chest. The exterior of the chest (part a) shows finely grooved texturing on surface. Each panel has borders at all four edges, with fine, vertical, parallel lines throughout the centre. Five parallel grooves run horizontally along the upper and lower edges of the chest, with diagonal grooves down each adjacent corner. The corners and base are secured with root-like(?) ties, wood pegs and nails. The exterior has a dark brown-black colour. The interior of the chest shows carving tool marks. There is a rectangular piece of wood along the interior, bottom edge of one side panel. The lid (part b) is flat on underside, with an upright ridge along the long front and back edges. The side edges are also carved with fine vertical parallel lines. The lid is composed of three pieces of wood pegged and nailed together. The underside surface of the lid is covered in carving tool marks.

Curved wood headrest carved from a single piece of wood; straight wide legs on either side. Exterior of legs are rounded and interior sides are straight; legs have a small lip at their bases. Bottom of main section of headrest has a sharp ridge running through the middle; diamond-shaped cut in centre of ridge. Rest of headrest is undecorated.

Pink metal mesh chinelo dancer's mask with a matted fibre beard, moustache, and eyebrows. Brows gently curve overtop oval-shaped eyes, with long lashes. Moustache curves sharply at ends, curling up around sides of face; beard has similar curve and protrudes outward from mask. Face has a large slanted mouth and rosy cheeks. Eyes, mouth and cheeks are painted on; thin nose is shaped from mesh. Mask is edged with painted fabric; yellow tie across back, for hanging purposes.

White wool weaving with long fringe attached to sides and bottom edge. The fringe is predominantly white, with pairs of long dark brown fringe spaced evenly throughout. Six rows of designs across entire surface; done in dark brown. From top to bottom, the designs are: plain thin line, wide line trimmed with thin ones on either side, wide vertical zigzags, checkered pattern with rectangles throughout, wide vertical zigzags, and wide vertical zigzags. Bottom edge bordered with band filled with chevrons.

THE KWAKIUTL OF VANCOUVER ISLAND. BOAS, FRANZ MEMOIRS, 8, 1909

THE KWAKIUTL OF VANCOUVER ISLAND. BOAS, FRANZ MEMOIRS, 8, 1909