Felt headband with carved wooden frontlet of eagle. Band is made of red felt, with balsa wood carving of an eagle head at centre. Bird has two feathers atop the head, with large eyes rimmed in blue, and an open beak with slightly protruding tongue. Neck is painted with feathers in black. The head is attached to a piece of black leather that is sewn to the band with hide strips. Three shell buttons are sewn to band at both sides of the eagle head.

Small dance apron of red and black felted cloth; the outer edge has a row of large shell buttons, with a row of smaller shell buttons inside. Three horizontal rows of off-white shell buttons top three strips of leather tassels and copper bells sitting on attached leather thongs and scalloped red felt. The waistband extends into ties to secure the apron around the body.

Felted wool button blanket with large central design. Edges are red, scalloped on the inside border, with a narrow strip of white, also scalloped, and a black interior panel. On this panel sits the emblem of an eagle, wings spread, head to the side, atop a whale in profile, tail up. Over 2200 buttons in shell and abalone outline the crest and borders of the blanket. A half circle is cut out of the top edge to fit around the wearer’s neck. A strip of black felt sits to the side, to be fastened around the neck.

Deeply carved humanoid mask has black stained cedar bark strips folded, wrapped and tied to u-shaped ear projections and to upper edge of brow ridge; beneath cedar bark, between ear projections, red scallop-like design; ears have a series of rounded forms with a triangular form at base; large arched brows; deeply inset blue eye areas with black and white circular hollow eyes; hooked nose has curled tip resting on upper lip; rounded flaring hollow nostrils; deeply inset blue area around open mouth with protruding red lip bands; curvilinear t shaped design on cheeks; black and red coil at side rims meld with black chin. On reverse, thin wire is wrapped around a screw at each side rim and a nail at centre top to form a hanging device; red and black paint around eyes, nose and mouth; signed at side on right 'cockle hunter (Bookwus)' Glenn Tallio Nuxhalk Nation Bella Coola B.C.'87.

Painted dance mask with twig headdress and cedar bark fringe. Mask has a very bulbous black forehead with white painted ridge above and below curving eyebrow band. Eyes are close to nose with round hole outlined in white and enclosed by a black eye-shape. A blue contoured teardrop shape expands out on both sides surrounded by a white band. Large hooked nose with white tip and curving band dividing the black top from the red bottom and extending to corners of mouth. Very large triangular nostrils on underside of nose. Tip of nose meets large rounded chin. Deep-set mouth is slightly opening showing 2 rows of even white teeth. Red curving, contoured split u-shapes on cheeks. There is a lip around outside of mask, painted with large blue circles. The areas between are natural cedar. Three partially red painted fir boughs (without needles) are mounted into metal springs in the top of the mask, 2 with masking tape and one with leather. White ostrich feathers are attached by white thread at 5 places and around cedar bark tuff at top front. Tuff is braided to sides. Cedar bark fringe on top back is loosely tied together with white string dyed brown. The string end has passed through hole on side where leather thong is tied. Thong also ties on opposite side and at top, centre. Thong is looped at centre back. Bottom cedar bark fringe is attached to bottom of mask with string which is loosely tied across fringe in 2 rows. Cedar bark strands alternate between natural and red dyed. Inside of mask is partially covered with red sprayed paint.

Hamatsa cannibal mask with curved beak and cedar bark hair, is painted blue, white, black and red; both sides are identical; 3 methods used in creating 'hair': (1) a rope-like band around top sides; (2) a short fringe extending upwards from band; (3) folded lengths tied loosely together in 2 places with string, covers centre top, lengths are also secured to sides and base by leather strips passed through drilled holes; portions of 'hair' covered in red and brown paint; black brows, outlined in white, extend from beak to side rim; blue and white almond shaped eye area has extended point at back; red eye socket echoes shape of eye area, black and white pupil; cheek has 2 split u forms and a red tri-pointed groove; curved black beak begins at eye area and ends in a point just past the moveable lower mandible, 2 red split u forms, facing opposite directions, black tapers to a sharp point at white front portion of beak; flaring nostrils extend from corner of mouth to widest part of curve in beak, red and white alternating bands graduate in size along length; final red band has 2 points extending into final white band; red lip band, split u design on upper lip, black and red design on underside of lower lip; string attached to inner mouth by metal 'eyes' and also to a stick at back of mask, stick attached to mask by leather strip passed through four holes in stick, 2 oval holes close to base.