Feast dish representation of a seal carved from a single log with the body deeply hollowed to form the bowl. The seal's face has carved ovoid eyes and crescent-shaped nostrils. The body is decorated with horizontal adzing except above the forefeet where vertical adzing suggests legs. Adzed fluting surrounds the rim of the bowl. Between the hind feet is a smaller bowl at the end of which is a small carved face. There are supporting legs under the rear of the body. The seal has traces of black, red, white and green paint.

Long, wooden feast dish carved in the shape of an animal, with a deep, oval shaped bowl in the middle. The tail is paddle shaped and curves downward to join the body; it’s legs are carved in relief against the body, the feet support the bowl. An abstract design is painted on the tail. The exterior rim of the dish is painted with a continuous pattern of alternating opposing pairs of white semicircles with inset green triangles. Both sides of the object are painted with a large human face with a downturned mouth - the face is outlined in blue on a white background. Has been badly broken, and repaired.

Large, wooden feast dish carved in the form of two matching, slightly-reclined Dzunuk'wa figures. They face each other with their hands clutching their bent legs; deeply hollowed centre. Thick black lines, painted over a grey background outline the anatomical forms. Mask-like faces are nailed onto hollow heads. Protruding ears are attached separately. Their lips are pursed and protrude, red eyes are recessed, large black defined eyebrows and high cheekbones are carved into faces.

Ceremonial wooden dagger with a pointed tip, an hour-glass shaped handle, and a round decorative handle end in the shape of Dzunuk'wa. Black in colour.

A very dark brown spoon with a typical-shaped bowl and a carved handle. Handle is carved with a face that has tapering oval eyes, a wide nose, and a mouth. Above the face, there is a horizontal band with grooved diagonal lines. Above this, there is an inverted split u with a u form that has a grooved line within at either top side.

Pecked stone sculpture with double-headed detail. Shape is oblong overall.

Vertically rectangular wood piece. Eagle bird design carved in the centre. Eagle has a wide, red face that is outlined by dark blue with circular abalone shell inlaid eyes surrounded by a tapering red oval surrounded by a white ovoid outlined by dark blue. Downward curved, white beak is has a lower red lip with six oblong abalone shell inlaid teeth. The red body has a vertical row of four vertically, rectangular abalone shell inlaid pieces. The outward pointing, white claws have four downward pointing, red digits. The red side wings have downward pointing, dark blue outlined, white triangular feathers. The trapezoid-shaped tail is white. Six horizontal rows of upward pointing, dark blue outlined, white triangular shapes are at either side. The background is red. Rectangular abalone shell inlaid pieces are around the border with six at either side and seven along the top. The outer edges are white with a narrow vertical wood strip painted white attached at either side by leather skin.

Large, carved, wooden, raven hamatsa mask with a long beak and an ovoid shaped ridge for a nose. The beak is hinged with pieces of rubber nailed to either side. The beak is painted black with a red mouth and circular cutout nostrils. At the back of the mouth are two s-shapes. Around the nose is a red ovoid and U-forms. The eyes are white, outlined in black on a white, ovoid shaped background; brow is black. The inside of the mask is hollow with the exception of twine used to open and close the beak along with a fibre head ring. The top, side and bottom edges of the mask are lined with braided cedar. The top has short pieces of cedar creating a fringe, while the back has longer strips that hang over the wearer. The underside of the mouth is painted black with a small white design. The mask is painted black, red, and white with Northwest Coast stylized designs.

Yellow-brown wood whistle that is circular in cross section and comes to a tapering end and is bound in two places with brown twine, one near the wider end and one near the middle. While the wider end is solid, there is a hollow through the tapering end where there is a taper cut semi-oval hole nearby on one side. Mouth piece is wedge shaped to accommodate a composite whistle.

Rectangular bentwood box with dark brown patina. Painted bird design in red and black on front panel. On opposite side are a series of vertical and slightly diagonal white lines.