Leather headband with seventeen bear claws attached to it at evenly spaced intervals. Tips of claws are held upright by string tied to each and wrapped with very thin layers of ermine (?) skin.

Set of twenty-one uniform, polished sticks shaped like cigarillos (a-u). Small, rectangular piece of inlaid abalone shell on one (a); one is split but secured with nail (b). Faint bands in black and red drawn around the centre of many.

A plain brown wood ladle with a deep bowl and a rounded bottom and a handle that is flat on the interior and rounded on the exterior. The bowl is darker than the handle.

Painted wooden bird mask. The mask is a natural colour with a large protruding beak. Hinged by a wooden peg on either side, the lower beak opens and closes. The inside of the lower beak is painted red. The tip of the upper beak shows traces of yellow paint. The area surrounding the eye shows traces of green or blue paint. The eyes are oval and yellow with black round centres outlined in red. There is a back border around the rear edge of the mask.

Mask with an elongated nose and a thin lipped mouth. Plain light brown face has circular cut out hole eyes outlined by black and surrounded by a plain tapering oval with black brows above. The nostrils and the mouth are cut out. Has a green moustache. The cheeks have a red and green linear design. There is a green area above the brows. White fibre cord loops around the back at either side through the top holes of the pair of holes at either side.

Mask with a small flat face, slightly raised rosy cheeks, and a long slender nose. The yellow-brown face has circular cut out hole eyes outlined by black and surrounded by a plain tapering oval from which black-pianted eyelashes radiate with black brows above. The nostrils and the mouth are red. The black hairline is outlined by red. Brown string is attached around the back through a hole at either side. Artist name written on back.

Vertically rectangular wood piece. Abalone bird design with human arms and legs. Plain face has oval abalone shell inlaid eyes surrounded by a tapering black oval and a blue area, a black beak that is red down the middle, and an open red mouth showing one oval abalone shell inlaid tooth. The red limbs are bent togehter with two vertically rectangular abalone shell inlaid pieces in between. Red all around and bordered by square shale inlaid pieces around the sides and the top.

Wide, full human face mask with traces of red, yellow, and green colours. The plain light brown, naturally contoured face, has circular cut out hole eyes outlined by red and surrounded by a white tapering oval and a green area with brows above. White and green nostrils are cut out. The mouth is red. The cheek bones are upraised. A pair of holes is at either side.

Composed of two complementary parts in the form of raven. Reclining figure on raven's back connected by an elongated tongue to the second bird figure at the tail. Belly emphasized by a bird's face with recurved beak.

Rectangular-shaped rattle with bear's face carved on one side and a raven design on the other. Lines delineating the bear's ears, eyes, nostrils, mouth and chin are engraved into the surface. The bear's mouth is oval-shaped with eight teeth visible. Traces of white paint are present within the grooves of the teeth. Black paint has been applied to the muzzle area and brow region of the bear's face. Black paint is also applied to the sides of the rectangular rattle, but not the handle. The handle, like the high relief areas of the rattle, is stained a dark brown colour. The raven depicted on the opposite side is in a seated position with wing extended. The wing has five feathers, while the tail which curves slightly upwards has three. Black and white pigment highlights the engraved areas of the raven also.