Part (a) is a long tear drop shaped plywood with three dimensional carved wood head attached centre front. Face has eyes outlined in red seeds, hook nose with open nostrils and long feather and fibre rope through wide indented mouth. Back board and head painted with geometric designs in brown, gold, white and black. White feathers double fringe attach to perimeter with twisted fibre band. Secondary face on board has wide smiling mouth. Attached black and white feather, red seed medallion top piece, back has support material of hat and ridge in wood. Four flat wood leaf shapes (b-e) with black and white zigzag markings, cut white feather surrounds them, attached at an angle to a stick bound with fibre and white feather down.

Large, carved bird mask with a long beak, a high bridge and ovoid shaped cutout nostrils. The beak is hinged with pieces of rubber nailed to either side. The beak is painted black with a red mouth and nose. At the back of the nose is a large red split U-forms. The bridge has six red U-forms on the bottom and eight, white U-forms on top. The eyes are white, outlined in black, on a white, ovoid shaped background; brow is black. Underneath the eye is four white U’s. The inside of the mask is hollow with the exception of twine used to open and close the beak along with a fibre cloth. The top and side edges of the mask are lined with braided cedar. The top has short pieces of cedar creating a fringe, while the back has longer strips that hang over the wearer. The mask is painted black, red, and white with stylized designs.

The cloth is rectangular and white-natural coloured with designs covering the entire surface stenciled in black and brown. There is a border along the edges of a white crest shape with black horizontal lines on a black background. Inside the borders are many repeated blocks of design. One block is square with many black and white linear borders leading to the centre with a white flower on a brown background. Another block has black triangles in each of the four corners and a brown pinwheel in the centre surrounded by black dots on a lightly painted brown background. Another block is rectangular with many black and white linear borders leading to the centre with a white flower with square petals on a black background. The centre block is rectangular with many black and white borders leading to two squares in the centre with triangles of brown, black and white. The cloth is made up of a wide and narrow piece attached together.

The cloth is square and natural coloured with designs painted in brown and black. There are twelve square blocks, three rows of four, with a circular design in the natural colour and brown. In each square the design shows four ovals pointing into the centre surrounded by a broken circle of triangles and framed by lines in each of the four corners. The same design differs from panel to panel in which aspects of the design are highlighted with black and dark brown paint. The cloth is made from three pieces attached together.

Band with an oval shape composed of plant fibre with a triangle design in black and white formed by painted clay applied to the surface of the plant fibre and outlined with strips of wood secured to the plant fibre with thinner strips of wood. Plant fibre ties at ends.

Tall wooden staff with a straight, cylindrical staff and elaborately carved zoomorphic figures at the top and bottom; very top of staff is carved with a humanoid figure.

Brown wood paddle that has a long cylindrical handle tapering to a rounded knob and then a point at the end. At either ends of the knob, there are five incised horizontal bands. Geometric shaped lines are carved on the handle near the paddle end. The blade has an elongated ovate shape.

Headdress that tapers to a spiked segment with a tuft of off-white and brown feathers at the top and has four faces around the base with two protruding, tapering and curved arms opposite each other just below the spiked segment. Tufts of plant fibre attached through holes along the bottom edge. Painted with white, black, orange-brown, and yellow details and geometric designs.

Headdress on four posts with overall conical shape, a spiked rim and four evenly spaced bands of spikes made with leaves running up the bottom tier, four arms with double sarrated edges at the top of the bottom tear each protruding out at an angle with dangling elongated shapes at the tips, and the tip is ornamented with fibre that splays outwards just below a guft of short brown and white feathers and two long, curved black feathers. The posts are covered with fibres attached around each post just below the rim of the headdress. The headdress is clay painted with off-white, reddish-brown and black geometric designs.