Tamer's headdress. Cedar bark headdress in the form of a rounded beak: two semi-circular flaps at front representing a beak with two long oval shapes that sit on top of beak, a hooked nose that projects out over the beak. Bunched cedar strips are attached at the top of the headdress frame with thick white string, and white string is wrapped around the base of the frame at the back. (Photos show the mask without the nose piece in 2009; nose repaired in 2021.)

Large, carved bird mask with a long beak, a high bridge and ovoid shaped cutout nostrils. The beak is hinged with pieces of rubber nailed to either side. The beak is painted black with a red mouth and nose. At the back of the nose is a large red split U-forms. The bridge has six red U-forms on the bottom and eight, white U-forms on top. The eyes are white, outlined in black, on a white, ovoid shaped background; brow is black. Underneath the eye is four white U’s. The inside of the mask is hollow with the exception of twine used to open and close the beak along with a fibre cloth. The top and side edges of the mask are lined with braided cedar. The top has short pieces of cedar creating a fringe, while the back has longer strips that hang over the wearer. The mask is painted black, red, and white with stylized designs.

Wooden wolf headdress, or mask, with a long rounded snout, painted mainly in a black and white design, however the inner eyes, nostrils and lips are painted red and the area surrounding the eyes is painted green. Outside two leather straps are nailed underneath the lower portion of the mouth, acting as hinges. Inside two ropes are strung to adjust and open the lower portion of the mouth. There are two upright ears nailed to the top of the head. A black cloth is nailed to the back of the mask and the extra cloth is tucked inside.

Copper-breaking stand, or figure, in the form of a bear. The bear is carved in a crouched position, holding a human face mask in its front paws, with bared teeth. There is an iron platform on top of its head. Painted red, green, white, black and brown. All the teeth and claws are painted white, including the teeth of the mask.

Carved transformation mask. The exterior figure is a large thunderbird head with a yellow beak, black outlined eyes surrounded by a green ovoid-like shaped, as well as a red mouth and detailing. Nailed to the top of the bird are numerous cedar bundles. The mask opens in four directions – to the sides, up and down – exposing a painted human face with cutout nostrils, eyes and mouth. The side boards have a painted sisiutl with each side depicting a serpent head. The top has the human’s horns while the bottom open board is detailed with ovoids, U’s and split U’s. Twine cord attaches to all four sides to assist the mask in opening and shutting. The opened boards are hinged with leather and attached by staples. The mask is painted yellow, green, red, white and black with Northwest Coast stylized designs. Long, rectangular shaped handle extends from top back of mask.

Carved thunderbird headdress with a pronounced beak, recessed eye sockets and a horn on the mask's right side that has a curled tip. Carved tail panel attaches to top of head, and wing panels attach to the sides. The left side panel and horn were replaced using cedar. Painted in green, yellow, black, red and white.