Soapstone carving of a woman. Figure stands upright with feet and legs together, arms straight at her sides. She is carved wearing a parka (amautik) with long flaps at bottom front and back, with a large hood for carrying a child. The lines of the collar cross below her chin. The garment is worn over knee length trousers and boots. Her hair is gathered in a bun at her neck, and facial features are carved.

Small soapstone carving of a crouched man. Figure has a parka with a long flap at the back, and pointed hood pulled up over his head, as well as leggings, boots and mitts. in his outstretched hands are a flat, round drum made of skin stretched over wood, and a wooden drumstick.

Soapstone carving of a woman and child. Figure stands with feet and legs together, hands held parallel in front of her. She is carved wearing a parka (amautik) and an amaut, a large hood for carrying a child. A small head peaks out of the hood. Both faces are carved with smiling features. The figure is glued to a rectangular base of soapstone. The base of the stand is covered with yellow paper.

Soapstone carving of a man. The man stands in a wide legged stance, knees slightly bent, with one arm resting on torso and the other raised above head to hold a large triangular sack over the shoulder and falling down the back. Figure wears a large parka with a hood that covers all but the carved face.

Coiled and twisted cedar bark rope. Coil is held together by a wide strip of bark wrapped around it, in one place, with printing in ink on one end: "3 ply cedar bark made by Hanna Marks 1976".

Basketry-wrapped glass bottle and lid. Bottle (part a) is tall, flaring from base to shoulder, with a long thin neck. It is fully covered in finely woven basketry, with colourful images of ducks, sea creatures, boats and hunters worked into the weave, interspersed with decorative lines. The lid is plastic, and adhered to the bottle, with a loose basketry cover (part b) made of the same weave as the bottle cover, with a red encircling line and brown top.

Dome shaped cedar bark hat. Hat is finely woven and uses a slight step pattern in construction as it narrows toward the top. A pattern of larger weaves is interspersed with the fine, encircling the hat at each step. On the inside sits a shaped headband made in a looser weave with a long, thin, twisted chin strap, also of bark, attached to either side.

Black and red button blanket with a large downward facing frog design in the centre. The frog's eyes are small circles of abalone shell. Three full rows of shell buttons demarcate the central black area. There are eight repeating positive/negative designs along the side borders (four each side). There is a rectangular cut out area at the neck. Each bottom corner on the reverse has one of the maker's initials embroidered onto the fabric (D.G. at one corner, R.D. on the other).

Drum and drumstick. Round drum (part a) is made of skin stretched over a circular wood frame and nailed to secure along the frame’s bottom edge. On the underside, thin strips of hide are connected in 4 places to the frame and come together in the centre, tightly wrapped around themselves, to join at a small wood handle. The face of the drum shows a painted lightning-snake design, with a large centrally placed head showing bared teeth and curling hair in red and blue, the long thin body wrapping around the outside edge of the drum top. Part b is the drum stick, consisting of a long wooden shaft, rounded, and a leather covered head attached by a leather strip wound around the stick's neck.

Bent horn rattle. Horn serves as handle as well as rattle head, curving over itself to make an enclosed chamber that holds noise-making elements (stones?) inside. Holes are bored through head along edges where metal wire is inserted and tied to hold horn head together. One side has some remnants of blue and white fabric wound around the wire. Wide strands of root are wrapped around the handle.