Light-brown, rectangular-shaped book in two pieces (parts c” is the book; part “d” is the detached front cover). Cover is bound in cardboard and covered with cloth. Each page has a woodblock print on one side. A strip of dark orange paper is pasted onto the cover with calligraphy written vertically. Part of a set, with 1434/5 a-b.

Light-brown, rectangular-shaped book in two pieces (part “a” is the book; part “b” is the detached back cover). Cover is bound in cardboard and covered with cloth. Each page has a woodblock print on one side. A strip of dark orange paper is pasted onto the cover with calligraphy written vertically. Part of a set, with 1434/5 c-d.

Landscape and water scene of village, boats, sailing ships, a bridge, mountain and moon. Brown and red rectangles with black Japanese characters inside.

Print showing a landscape of mountains, a village, and a river with boats. Three large mountains are in the back. Two medium-sized mountains are on the right side. The village has embankments along both shorelines of the backwards c-curved river. In the upper left corner, there are two vertically rectangular seals, one of which is pink while the other one is red. In the lower right corner, there is a smaller, vertically rectangular, red seal. The print is vertically rectangular.

Print of a long arched bridge that extends over a body of water. Three figure stand on scaffolding near a building. Print of Yoshida Station (#34). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy," from Nihonbashi to Kyoto (Hoei-do edition). Print is matted on a piece of white-yellow paper and has an additional cover page that folds over the print. A printed inscription on the cover page reads: "YOSHIDA To travel along Atsumi Bay one goes out of Toyohashi and crosses Toyokawa bridge." There are Japanese characters at the top, bottom, and side of the printed message.

Print depicting a trail of people traveling between two hills. In the centre of the hills, there is a view of the harbour. Trees frame the print and are found on either side of the hill tops. The sky is white, orange, and red in colour. Print of Shirasuka Station (#32). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy." from Nihonbashi to Kyoto (Hoei-do edition). Print is matted on a piece of white-yellow paper and has an additional cover page that folds over the print. A printed inscription on the cover page reads: "SHIRASUKA The road leaves the lake behind. Beyond stretches the Pacific Ocean. One feels proud of Japan's beauty." There are Japanese characters at the top, bottom, and side of the printed message.

Print depicting boats in a harbour heading towards shore. There are grey coloured mountains in the background. The sky is yellow-orange in colour. Print of Arai Station (#31). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy," from Nihonbashi to Kyoto (Hoei-do edition). Print is matted on a piece of white-yellow paper and has an additional cover page that folds over the print. A printed inscription on the cover page reads: "ARAI This is the present Arai on the opposite shore of Lake Hamana. The Daimyo or feudal lord used a boat, screened, with badges and crest. The first boat is for the Daimyo and the next for his retainers. The camp of the border guard may be seen on the opposite shore." There are Japanese characters at the top, bottom, and side of the printed message.

Print of a group of people walking across a bridge from a village towards the village gate. In the background, there is a small village on a rocky hill across a body of water. Print depicting Hujisawa Station (#6). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy." from Nihonbashi to Kyoto (Hoei-do edition). Print has a yellow-white matte and has a cover page that flips over the print. On the cover page, there is a printed inscription that reads: "FUJISAWA A spot near Kamajura and Enoshima Island. This print is rather ordinary, although, the four blind lute players leading the procession afford an interesting glimpse into the life of this time. There are Japanese characters at the top, the side, and on the bottom of the printed message.

Print of a group of people crossing two bodies of water on a beach. Grassy hills in the background. Larger grey mountain tops in the distance. Kanaya Station (#24). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy," from Nihonbashi to Kyoto (Hoei-do edition). Print is matted on a piece of white-yellow paper and has an additional cover page that folds over the print. A printed inscription on the cover page reads: " KANAYA In the vicinity of the Oi Rover. The composition is good. Mist is cleverly used to draw a line between mountain and river sand, a technique not seen in modern painting. There are Japanese characters at the top, bottom, and side of the printed message.

Print of a large group of people crossing sand and a body of water. There are trees in the foreground. Print of Shimada Station (#23). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy" from Nihonbashi to Kyoto (Hoei-do edition). Print is matted on a piece of white-yellow paper and has an additional cover page that folds over the print. A printed inscription on the cover page reads: " SHIMADA Along the Oi River in Suraga Province. The river, bank, stones and men, scarcely a fit subject for a picture, are skillfully and boldly portrayed." There are Japanese characters at the top, bottom, and side of the printed message.