From card: "Bone sharpened to wedge point."

From card: "Consisting of a wide short bank of coarse checker weaving in cedar bark having a loop at one end and an extended into a rope at the other. Used for climbing large trees. Two short ropes are looped over the large rope."

Listed on page 50 in "The Exhibits of the Smithsonian Institution at the Panama-Pacific International Exposition, San Francisco, California, 1915", in section "Arts of the Northwest Coast Tribes (Tools)".

From card: "Upper Village. Heavy wedge of yew? with grommet around head. Illus.: Hndbk. N. Amer. Ind., Vol. 7, Northwest Coast, Fig. 1i, pg. 2."

From card: "Large elaborately carved mask representing the eagle. Lower mandible hinged [movable] and supplied with cords for moving it. Crest of feathers and shredded cedar bark above. Painted in red, black, and blue. Loan: Museo Nacional de Antropologia May 18, 1964, returned summer of 1983."Ian Reid (Heiltsuk), Clyde Tallio (Nuxalk) and Jennifer Kramer (anthropologist) of the delegation from Bella Bella, Bella Coola and Rivers Inlet communities of British Columbia made the following comments during the Recovering Voices Community Research Visit May 20th - 24th, 2013. The inside of the mask is cedar bark. The group discussed the accuracy of the accession/catalog record. There could have been a possible translation/transcription error; probably originally meant to be 'dancing' mask, not 'davenig' mask. [This error seems to have been fixed]

From card: "Two hollowed pieces of wood joined. Within are two sounders for the reeds."Listed on page 50 in "The Exhibits of the Smithsonian Institution at the Panama-Pacific International Exposition, San Francisco, California, 1915", in section "Arts of the Northwest Coast Tribes (Tools)".

From card: "Self bow of yew? wood; quiver of skin; arrows short, wood and bone heads 3 feathers; very rude [sic]."

From card: "Barbs of bone lashed with cord and secured with cement."

From card: "Hudson Bay type. Toes turned up."