THE THOMPSON INDIANS OF BRITISH COLUMBIA. TEIT, JAMES MEMOIRS, 2, 1900

The Vivian and Gordon Gilkey Graphic Arts Collection.

Gift of the Native American Art Council.

Gift of the Native American Art Council, Contemporary Art Council, and the Friends of the Gilkey Center.

In the mid-1980s, self-taught artist James Lavadour determined to focus his attention on the landscape where he has spent most of his life: the Umatilla Indian Reservation outside Pendleton, Oregon. He learned the terrain by walking it, in an effort to internalize the structure that knits together the landforms of the Blue Mountains. In the paintings that resulted, Lavadour has distilled particulars of the land to a critical essence, creating a symbolic vocabulary of clouds, hills, rocks, and chasms. These works are both beautiful and haunting, alluding to the history, both geologic and human, that these sites contain. Lavadour has received numerous honors, including the Agnes Martin award and, recently, the Governor's Art Award. He is also the founder of Crow's Shadow Institute, whose mission is to provide educational and social opportunities to Native Americans through artistic development.

Museum Purchase: Indian Collection Subscription Fund, Rasmussen Collection of Northwest Coast Indian Art. Collected: Axel Rasmussen

Museum Purchase: Indian Collection Subscription Fund, Rasmussen Collection of Northwest Coast Indian Art. Collected: Axel Rasmussen