Soapstone carving of a bird caught in a trap beside its nest. The small bird is carved from dark grey soapstone. It is hunched over two oblong eggs sitting in a hollow in the stone. Around the bird's neck is a thin brown string tied to one of three stakes to either side. The base of the object has yellow paper adhered to it, with the artist name written in ink, an inventory number, and a stamp that says "Eskimo Craft Camsell Hospital Edmonton".

Soapstone carving of a woman and child. Figure stands with feet and legs together, hands held parallel in front of her. She is carved wearing a parka (amautik) and an amaut, a large hood for carrying a child. A small head peaks out of the hood. Both faces are carved with smiling features. The figure is glued to a rectangular base of soapstone. The base of the stand is covered with yellow paper.

Vase that has a wide opening at the top, then tapers slightly and widens near the middle, and tapers towards the base. Decorated with floral arabesque patterns in horizontal bands around the outside surface. (Pair with B580 a.)

Vase that has a wide opening at the top, then tapers slightly and widens near the middle, and tapers towards the base. Decorated with floral arabesque patterns in horizontal bands around the outside surface. (Pair with B580 b.)

Wooden slat body armour which has been painted and has small faces carved in a line round its middle. The slats are bound together with string-like binding; Good. Additional description: Armour consists of curved front and back pieces, each with an upper flap. Rear piece is shorter, but curves into a tongue shape at centre. Body sections secured together with four horizontal bands of lashing. Flaps secured with two bands of lashing. Front and back body sections decorated with a row of carved heads. The two flaps have a single head at centre of each. Armour also painted with geometric shapes. (J. Tanner, 1999).

Large human mask painted and with leather and copper applique. The eyes rotate and have black eyeballs on one side, and red with copper bands on the other. The pieces of copper sheet are applied in patterns composed of lines, diamonds and eye-shaped sections. The lips and eyebrows are also made from shaped copper, the teeth are painted white and made from wood. The hide arranged in strips down the cheeks, across the upper lip and under the chin could once have had hair, giving the mask a beard. The reverse of the mask has a crossbar for the wearer to grip in their teeth, there are several leather thongs, and a lever attached to leather lines to operate the rolling eyes.; Good

Three bent wood hooks with bone barbs lashed on with bark. The hooks have the remains of sinew leaders on the lower arm. A) B) are halibut hooks, C) is a cod hook.; Good.

Painted bark cloth. Rectangular piece of pounded bark cloth with a painting of a large blue-green bird with a yellow worm in its beak, standing on a leafy outcropping. Opposite, facing the bird, is a lizard painted yellow, blue and brown with large pointed teeth in its open mouth and spikes down its back. It clings to a branch with outstretched legs, its tail curving up behind it. Between the bird and lizard is a thin yellow snake. The back of the bark cloth shows black marks from the painting on the front.

Painted bark cloth mask. Body of mask is made of a single piece of bark cloth, sewn together at the back of the head with the neck and shoulder portion remaining loose. A round panel stitched to the front is painted with large eyes, thick eyebrows and an open mouth with teeth. A large protruding nose of cloth emerges from the centre of the face. The forehead comes to a peak above the face panel. Two large oblong ears are attached to the piece on either side of the face and angle upwards. The body and head are painted with lines and colour blocks in blue, yellow and brown. The back of the cloth has paint marks from the painting on the front.

Ceremonial bark cloth costume. The garment is a vest, slightly longer in front, completely open along the sides, with narrow shoulders and a deep v-neck at front. On the front a large toucan bird is attached at centre, wings spread to the sides, beak pointing downward. Linear designs have been lightly carved into the beak. To the bird’s sides two smaller beaks are sewn to the cloth, as are groupings of feathers dyed red, yellow and brown, several with seeds at their centre. Yellow and red feathers surround the v-neck. On the back of the garments is a smaller bird, black, with a serrated yellow and black beak and a strip of red and white feathers on the tail. Large, dyed feathers splay outward from the top of the body. Portions of bird beaks surround the creature. On front and back of vest, the bark cloth is heavily painted with zigzag, ‘x’ and other motifs in brown, yellow and red. Small, oval, black and red seeds line the edges and neck of the vest, as well as a decorative strip of feathers near the bottom where additional bark cloth has been sewn to the garment, front and back. Small dyed feathers hang from quills below this strip, while long feathers dangle from the bottom of the vest. These are dyed blue yellow and orange.