From card: "Illus. in USNM AR, 1888, Pl. 16, fig. 58, p. 270. See accession records for additional data. 'Only used in dances during ceremonies. Obtained from Capt. Skedance [a.k.a. Skedans], chief of Klue [a.k.a.Tanu].'"

From card: "Made of cedar bark and nettle fibre." From old 19th or early 20th century exhibit label in card file: "Blanket - Made of cedar bark and nettle fiber, closely woven, and ornamented with a border of soft otter fur. Worn about the shoulders as a cloak. Kyoquaht Indians (Wakashan stock), 1888. Collected by Jas. G. Swan." Formerly on exhibit in NHB exhibit Hall 9, case 29, where exhibit label described it as: "cold weather cloak of twined cedar bark and nettle fiber."Twined cedar bark and nettle fiber (according to exhibit label). Wool twisted with cedar woven into all borders. Arc-shape to neck area, and bottom rounded. Very soft otter fur tied to neck area.Listed on page 33 in "The Exhibits of the Smithsonian Institution at the Panama-Pacific International Exposition, San Francisco, California, 1915", in section "Arts of the Western Eskimo".

From card: "10/24/61 Technical description by Miss Grace Rogers, Curator, Div. of Textiles: Construction: gauze or twined weave. Warps were held to top cross bar of loom by a 2 ply, 6 strands to each ply, all cotton yarn. Warps themselves of 2-ply yarn made up of 6 strands of cotton yarn in one ply and 2 strands of animal hair in the second ply (possibly goat). Approximately one warp per inch but closer at the selvages. Weft: narrow twisted strips of bird skins (possibly duck) with down filling the intervening spaces. Approximately 7 strips to 2" at the wide end, and 9 strips to 2" at the narrow end. Basic color is an irregular light tan, with spots of darker, and one long border is white and there is another white stripe near the other border. Lent to the Burke Museum 2/23/89. Loan returned Oct 10, 1989." Illus. (in color, as #1296A) Pl. 4, p. 47 in "A Time of Gathering: native heritage in Washington State", ed. Robin K. Wright, University of Washington Press, 1991.

Listed on page 49 in "The Exhibits of the Smithsonian Institution at the Panama-Pacific International Exposition, San Francisco, California, 1915", in section "Arts of the Northwest Coast Tribes (Tools)".

From card: "Base - A, body - B, cap - C."From collector's label attached to artifact: "#70 [#]5 Totem pole. Bella Bella B.C. J.G. Swan, Pt. Townsend, W.T. Dec 1 1884."Ian Reid (Heiltsuk) of the delegation from Bella Bella, Bella Coola and Rivers Inlet communities of British Columbia made the following comments during the Recovering Voices Community Research Visit May 20th - 24th, 2013. The wood is all from the same yellow cedar tree. This is actually another talking stick.

FROM CARD: "20820-5: ILLUS. IN USNM AR, 1888; PL. 42; FIGS. 227-240; P.318." Identified in the publication as from Kake Tlingit.FROM OLD 19TH OR EARLY 20TH CENTURY EXHIBIT LABEL WITH CARD [referring to E20820-20825]: "SPOONS.---MADE OF WOOD. USED ESPECIALLY FOR BERRIES, BY ALL NORTHWEST INDIAN TRIBES. KAKE INDIANS (KOLUSCHAN STOCK), ALASKA. 20,820-25. COLLECTED BY JAMES G. SWAN. 20820-25. NEG. NO.6212."FROM OLD 19TH OR EARLY 20TH CENTURY EXHIBIT LABEL WITH CARD: "BERRY SPOON.---MADE OF WOOD; LOWER PORTION ORNAMENTED WITH TOTEMIC CARVINGS. SHAPED SOMEWHAT LIKE A SPATULA. LENGTH, 14 1/8 INCHES; WIDTH, 1 5/8 INCHES. KAKE INDIANS (KOLUSCHAN STOCK), KUIN ISLAND, ALASKA. 20,823. COLLECTED BY JAMES G. SWAN."Florence Sheakley made the following comments during the Tlingit Recovering Voices Community Research Visit, March 13-March 24, 2017. These spoons are made of yellow cedar. All of these were made by the same carver. The paddles were made first, and then the carvings were added, but it is unclear why there are holes on the spoons. These spoons were used for blending and making soapberries, which fluff up, similar to a meringue. This is in a set of four, E20819-0, E20821-0, E20823-0, E20824-0

Listed on page 49 in "The Exhibits of the Smithsonian Institution at the Panama-Pacific International Exposition, San Francisco, California, 1915", in section "Arts of the Northwest Coast Tribes (Tools)".