Black glazed, clay bowl with a shallow bowl, a single handle, bottom reserved. Handle is oval shaped and is mounted at level to the rim, extending horizontally. Base small and flared to edge.

Small, red, clay cup with deep bowl and vertical sides. Base separated from body by narrow scotia. Two ring handles, circular in section rise from body horizontally at rim. Surface of cup painted with a thick black paint. Underside of base reserved with a black ring.

Richly gilded jar with image of funeral procession on side. Lid is mostly gold with abstract floral pattern and knob. Four characters marked in gold on underside of base.

Rectangular tray with sloped sides. Rim and plum blossom design in gold on black ground.

Model totem pole painted brown, black, green, and red-brown. It consists of a human figure on a base; a long fish held face down in front of the human; and an eagle with outstretched wings standing on the human's head. The base and wings are separate pieces of wood, attached by nails and glue. Painted designs include facial features, face painting on the human, fish scales, a face on the eagle's body. Signed "Charlie James" and "EGD" on back; "Duncan" written on base.

Mask with top knot of folded cedar bark wrapped with a strip of red plastic near the base. The mask is painted grey and has two indented diagonal curved shapes near the top of the forehead. Curvilinear eyebrow ridges extend beyond the side edges, and beaten copper is nailed to the surface of each. The eyes have circular hollow protruding pupils made of abalone shell, and the hooked beak-like nose has wide rounded nostrils. The open red mouth has pointed recurved lips. The mask also has a pointed chin and a series of black curved lines that accent the cheeks from chin to temple. Signed by artist on reverse.

Interior panel has outdoor scene with ladies in front of a building with border of floral design and butterflies and band of geometric motif around rim. Exterior has geometric band around rim and at neck of base, and has a phoenix design on royal blue. Inscription on underside of base.

Interior has a scene with two priests seated in the garden. Exterior is decorated with a leaf pattern. All in blue and white. Top rim is painted brown. Unmarked.

Thin, bangle-like silver bracelet with a small opening through which to slip one's wrist. Engraved segments of patterning on the outside with an arrowhead-like image at one end and an arrow's notch-end on the other; both ends are contoured to fit the shape of their respective engraved images.

Large, carved, wooden, raven hamatsa mask with a long beak and an ovoid shaped ridge for a nose. The beak is hinged with pieces of rubber nailed to either side. The beak is painted black with a red mouth and circular cutout nostrils. At the back of the mouth are two s-shapes. Around the nose is a red ovoid and U-forms. The eyes are white, outlined in black on a white, ovoid shaped background; brow is black. The inside of the mask is hollow with the exception of twine used to open and close the beak along with a fibre head ring. The top, side and bottom edges of the mask are lined with braided cedar. The top has short pieces of cedar creating a fringe, while the back has longer strips that hang over the wearer. The underside of the mouth is painted black with a small white design. The mask is painted black, red, and white with Northwest Coast stylized designs.