Rectangular wall hanging with a basic structure of discontinuous weft twining. The weft is one-ply hand spun wool with a long knotted fringe on one end and loops from the warp on the other end. The warp is commercial off-white wool and forms a fringe at one end and a series of loops at the other end. The design consists of two vertical grey zigzags running vertically and two joined dark brown triangles at one corner, all on a grey-brown ground. Blue 'Salish Weaving' tag sewn to back.

A pipe with a case (part b). The pipe is wooden with a bird motif (tiki), spirals, and double spirals around plain eyes, corners of the mouth, abd along the sides, and the bottom with a plain tongue protruding. A chevron pattern is along the stem up to the silver bands. The silver is engraved with flowers along the rim, and the centre of the stem. The stem is loose with the rest of the stem being of orange (resin?). The bands on the stem have the letters "ller" and three symbols: an anchor, an "s", and a lion. Underneath the symbols, there is the word "kia-ora". The end of the stem has teeth marks, mostly on the underside. The case is brown leather, made in Vienna. It has a brass frame with hinges. The inside is red valour, and has the words, 'Sterling silver mounts', and a red bird emblem with the letters 'KK' on one side.

Model totem pole figures (part a) portraying a raven(?) and a Sisiutl which has panels (parts b and c) that are inserted into the base of the pole and project from each side. Overall, painted with the colours black, red, and green. Figures are secured to a rounded base with nails.

Two big thin flat rectangular-shaped woven pieces with one piece (part a) fitting into the other (part b). The main design is consisting of dark brown linear geometric design in four panels on a faded red, and natural-coloured background.

Heart-shaped hide backing with single-coloured strands of beads sewn on in concentric rows. Moving to centre outermost border is a red strand, followed by one dark blue, and remaining central area in yellow until beadwork entirely covers surface. Edging in red pattern with two blue loops hanging from tip of arrow point shape.

Stylized notched arrow point shape cut from hide with single-coloured strands of beads sewn in concentric rows to it. Moving to centre, outermost border is a dark blue strand, followed by two yellow, and remaining central area in red until beadwork entirely covers area. Edging in dark blue pattern with two red loops hanging from tip of arrowpoint shape.

Ceramic figure of Kwannon. Figure is feminine representation, kneeling on one knee and holding a scroll in both hands, with hair dressed on top of head, covered by a high headdress. Robes, in several layers, are white with light blue/green edges, enamelled overglaze with white dots and scroll patterns, and with blue, green, red, and hold leaf designs. Figure has red and gold waistband, gold necklace and hair ornament.

Dark blue robe with rounded neck, wide sleeves, side slits and centre opening with frog closures. On the front, back and sleeves are moth, vase, orchid, peony and chrysanthemum motifs in pink, yellow, blue and green on dark blue ground. The neck, centre opening, sides and hem have borders with a prunus motif in gold, blue and white with a white floral trim. The sleeves have a border made of three bands; a garden scene on cream ground, a zigzag pattern and a floral motif on cream ground. The inside lining is light blue silk.

Heart-shaped hide backing with single-coloured strands of beads sewn on in concentric rows. Moving to centre, outermost border is two dark blue strands, followed by two yellow, two dark blue, and at centre, two red until hide is entirely covered with beadwork. Edging in orange bead pattern with loop hanging from base of heart shape.

Long red braided tie with tasseled ends.